【ストリートと路上観察】金沢21世紀美術館「路上、お邪魔ですか?」展レビュー!路上観察って一体ナニ? 香川県知事との対談報告も【芸術文化の勝手口 vol.36】
★New release! Haruya Nakajima's "The Sobriety Bar" (published by Hon no Zasshi-sha) is now on sale! https://www.amazon.co.jp/%E6%96%AD%E9...%E 3%82%AB%E3%83%8A&crid=KLUSSET2CLJU&dib=eyJ2IjoiMSJ9.wXDrAy_aV_XnVY9Y2WeG3BSLB OcEZ0uuO44nYTkaNQU.hOsJT_1NxhLL1qJXGDejtZaOcE9Dk9eSyGL9NJVohAc&dib_tag=se&keyw ords=%E4%B8%AD%E5%B3%B6%E6%99%B4%E7%9F%A2&qid=1769927771&sprefix=%E4%B8%AD%E5%B3%B6%E6%99%B4%2Caps%2C194&sr=8-1 ★Self-Introduction Video Haruya Nakajima • ドロップアウトから現代美術家へ!ニュータウン生まれのサブカル麻布生がポスト3.11に... Keita Saito • オセロ日本2位で東大相撲部に居候?麻布・渋家・演劇・出版・アート…異色のキャリア・キ... "The Back Door to Art and Culture" is a YouTube channel where artist and writer Haruya Nakajima and visual artist and curator Keita Saito talk about various aspects of art and culture. In episode 36, we bring you the fastest report from the conference room of the 21st Century Museum of Contemporary Art, Kanazawa, on the exhibition "Are We Intruding on the Street?" which has just opened! First, Nakajima, who just finished a dialogue with Toyohito Ikeda, the current Governor of Kagawa Prefecture and former Director-General of the Road Bureau of the Ministry of Land, Infrastructure, Transport and Tourism, at the May 16th event "How to Make the Most of the 'Street'? For Whom Are the Streets? Thinking About the Intersection/Conflict Between City and Land Through Walking," will reflect on the event. Furthermore, he will explain the "Street Observation Society," which has been running alongside the project. Then, the two, who have just seen the exhibition, will share their frank impressions. Please subscribe to the channel and give us a thumbs up! Chapters 00:00 OP from 21st Century Museum of Contemporary Art, Kanazawa 01:05 For Whom Are the Streets?: Why a Dialogue with the Governor of Kagawa Prefecture?! 07:40 What is the Street Observation Society? A Collection of Treasures Coveted by Enthusiasts! 15:07 Art Exhibition or Architecture Exhibition: On the Openness of Curation 19:28 ED: Collection Exhibition Also Begins! [Profile] Haruya Nakajima Artist. Born in Kanagawa Prefecture in 1989. Since 2019, he has been an instructor at the Bijutsu Gakko (Art School) "Back Door to Contemporary Art" and co-director of the project team "Nozarashi". Using modern literature, subculture, and urban theory as guides, he develops cross-disciplinary activities in contemporary art, writing, and rap. He practices actual and critical expression sprinkled with humor and irony in mixed media. His major solo exhibitions include "Utopia" (WHITEHOUSE/2025), and his books include "Danshu Sakaba" (Hon no Zasshi-sha/2026) and "Oil on Townscape" (Ronso-sha/2022). Twitter: / haruya02 Instagram: / haruya02 Keita Saito An artist from Tokyo. Director of Arts Council Kanazawa, and CEO of ShibuCreation Co., Ltd. (Shibu House). In 2008, he founded "Shibu House," a land art project set in the city. Since then, he has been active in production, curation, criticism, theater, editing, and lectures. He edited "Conditions of Tokyo" (2009–2011), was an artist in the theatrical work "Non-Theater" (2015), and launched the critical journal "Arguments" from 2015–2018. In recent years, he successfully exhibited as chief curator of the exhibition "Periphery, Development, Situation" (2025) at the Shimose Museum of Art in Hiroshima. Twitter: / _satoketa Editorial Assistant: Rin Hashikawa "How to make the most of the 'street'?" Event record photos: Ken Utsumi #art #contemporaryart #Kanazawa21stCenturyMuseum #street #streetobservation #Thomasson #architecture #contemporarythought #criticism #Bigakko #HaruyaNakajima #KeitaSaito

【マッチョとアート】ギリシャ彫刻から現代アートまで!ラランド・ニシダの「現代アートTシャツ」(by東京ホテイソン・ショーゴ)から考える「肉体と芸術」の関係【芸術文化の勝手口 vol.41】

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