欧米現代美術の世界をヴェネチアビエンナーレ日本代表作家 田中功起が語る!【芸術文化の勝手口 vol.34】
★New Release / Haruya Nakajima's "The Sobriety Bar" (Hon no Zasshi-sha) is now on sale! https://www.amazon.co.jp/%E6%96%AD%E9...% BF%E3%82%AB%E3%83%8A&crid=KLUSSET2CLJU&dib=eyJ2IjoiMSJ9.wXDrAy_aV_XnVY9Y2We G3BSLBocEZ0uuO44nYTkaNQU.hOsJT_1NxhLL1qJXGDejtZaOcE9Dk9eSyGL9NJVohAc&dib_tag =se&keywords=%E4%B8%AD%E5%B3%B6%E6%99%B4%E7%9F%A2&qid=1769927771&sprefix=%E4%B8%AD%E5%B3%B6%E6%99%B4%2Caps%2C194&sr=8-1 • ドロップアウトから現代美術家へ!ニュータウン生まれのサブカル麻布生がポスト3.11に... • オセロ日本2位で東大相撲部に居候?麻布・渋家・演劇・出版・アート…異色のキャリア・キ... "The Back Door to Art and Culture" is a YouTube channel where artist and writer Haruya Nakajima and artist and curator Keita Saito talk about various aspects of art and culture. In the 34th episode, Koki Tanaka, the Japanese representative artist at the Venice Biennale, makes an appearance! As part of our channel's return to basics in this series of artist biographies, we delve deep into the career of Koki Tanaka. We'll provide an overview of his early career in the 2000s, from his time as an art student at Musashino Art University, through his time as an editor at Musashino Art University Press, to his graduate studies at Tokyo University of the Arts, and his numerous overseas trips. We'll explore the essence of his action-sculpture-like video art and discuss the cutting-edge contemporary art scene he experienced in Europe and America at the time. Please subscribe and like! Chapters 00:00 OP: Returning to Basics: Artist Koki Tanaka Appears! 02:29 Early Video Art Style: From Editor to Artist 14:31 Contemporary Art in Europe and America: Experiences in Vienna, NY, Paris, and LA 19:21 ED: To be continued in Part 2: 3.11 and the Venice Biennale [Profile] Koki Tanaka Born in Tochigi Prefecture in 1975. In 1998, she studied abroad briefly at the Vienna Academy of Fine Arts, and in 2000, she graduated from the Department of Painting, Faculty of Fine Arts, Tokyo Zokei University. In 2005, she completed her Master's degree at the Graduate School of Fine Arts, Tokyo University of the Arts. In 2009, she studied in Los Angeles through the Agency for Cultural Affairs' Overseas Training Program for Emerging Artists. Through video, installations, and writing, she has visualized multiple contexts hidden in everyday life. In recent years, she has been creating works that focus on collaboration between people. At the Venice Biennale in 2013, she participated as the representative artist of the Japan Pavilion and held the exhibition "abstract speaking - sharing uncertainty and collective acts" (curated by Mika Kuraya, head of the curatorial department at the National Museum of Modern Art, Tokyo). At the exhibition, she exhibited a video of five ceramic artists collaborating to create a single ceramic piece, and received a special award. In 2015, she was selected as Deutsche Bank's Artist of the Year. His major works include Asking Questions, Part 1 (2009-2013) (ART iT, 2013). In 2016, he held his first large-scale solo exhibition in Japan, Koki Tanaka: The Possibility of Being Together, an Attempt (Mito Art Museum Contemporary Art Gallery). This exhibition showcased Tanaka's activities since 2010, and featured the new work *Temporary Study: Workshop #4 The Possibility of Being Together, its Arrangement*, created in collaboration with general participants. Haruya Nakajima: Artist. Born in Kanagawa Prefecture in 1989. Graduated from the Department of Japanese Literature, Faculty of Letters, Hosei University, and completed the Bijutsu Gakko (Art School). Since 2019, he has been an instructor at Bijutsu Gakko's "Back Door to Contemporary Art" and co-director of the project team "Nozarashi." Using modern literature, subculture, and urban studies as guides, he develops cross-disciplinary activities encompassing contemporary art, writing, and rap. He practices actual and critical expression, sprinkled with humor and irony, in mixed media. His major solo exhibitions include "Utopia" (WHITEHOUSE/2025), and his book is "Oil on Townscape" (Ronso-sha/2022). Twitter: / haruya02 Instagram: / haruya02 Keita Saito An artist from Tokyo. Director of Arts Council Kanazawa, and CEO of ShibuCreation Co., Ltd. (Shibu House). In 2008, he founded "Shibu House," a land art project set in the city. Since then, he has been active in production, curation, criticism, theater, editing, and lecturing. He edited "Conditions of Tokyo" (2009–2011), wrote the theatrical work "Non-Theater" (2015), and founded the critical journal "Arguments" from 2015 to 2018. In recent years, he successfully curated the exhibition "Periphery, Development, and Situation" (2025) at the Shimose Museum of Art in Hiroshima. Twitter: / _satoketa Editorial Assistant: Rin Hashikawa #Art #ContemporaryArt #VideoArt #VeniceBiennale #ContemporaryThought #Criticism #Bigakko #KokiTanaka #HaruyaNakajima #KeitaSaito

【芸術の価値とは何か?教養としてのアートとビジネス】直島が愛される秘密/炭鉱のカナリア/本来は反資本主義/第一次世界大戦が起点/おすすめの鑑賞法/ピノーとアルノー/世界の美術館経営/初心者の狙い目

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【解説】なぜモダニズム建築は壊されてしまうのか?

Koki Tanaka, the 55th International Art Exhibition – La Biennale di Venezia
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"Something was beginning" in Tokyo in 1984 | Ryuichi Sakamoto talks about 80s culture [Art Lecture]

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【マッチョとアート】ギリシャ彫刻から現代アートまで!ラランド・ニシダの「現代アートTシャツ」(by東京ホテイソン・ショーゴ)から考える「肉体と芸術」の関係【芸術文化の勝手口 vol.41】

Katharina Grosse Interview: On the Edge of Something Else
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【激論】便器から生まれた現代美術の革命!20世紀のアートを変えた男、マルセル・デュシャンについて語りました。

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【時代の構造で読み解く美術史】ルネサンスから現代アートまで / なぜ日本では印象派が人気なのか / アートは「問い」の歴史|ゲスト:増村岳史さん

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