617 Shootout - Chroma vs Half Plate vs EB 617 MK II
In this video I go through the Pros and Cons of the three 617 Format cameras I have used in the last two years, the Chroma 617, the Half Plate Modified to shoot 617 and the 3D printed EB 617- MK II. There are no winners, but also there are no losers. Correction: Massive facepalm, when I say Chris I mean Steve at Chroma Pictures, not sure why my brain got mixed up, I blame Ned (the cat) he was on quality control that day. 00:00 Intro 01:25 Chroma 617 09:49 Half Plate 617 14:31 EB 617 - MK II 19:51 Conclusion

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Replacement Film Back for Shen Hao TFC 617

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Wetplates and Lenses on a 617 Panoramic Film Camera

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I built an Ultra Large Format Camera (and you can too)

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I Developed 16mm Film Without A Lab | FILMOMAT DEVELOPING TANK

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I built a Design Award-Winning Camera - ONDU Eikan 8x10 is here

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EB617 - MK II - Launch Video

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Viewer Mail: SLRs vs Rangefinders

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Collodion Chat #1: Strobes for Wet Plate

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Chroma Six 17 First Shoot | 6x17 Film Photography

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EB - 617 Updates, Shen Hao Film Back, Vision3 Cinema Film

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Inside Dyson’s Overengineered £1000 Hand Dryer

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Chroma Six 17 - Panoramic Large Format 6x17 Film Camera

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Funky Film Sizes, Standards, and a Very Special Glass Plate - Large Format Friday

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3D Printed 8x10 View Camera

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Automated Film Developer - DIY Jobo CPE 2

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Who Needs 10 FPS when you can have 1 Frame Every 10 Minutes? 5 Min Portrait 1850's Edition

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Tape vs. Tapeless: The Ultimate Guide to VHS, Hi8, & MiniDV

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Loading 120 Film onto a Paterson Reel the Easy Way

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6x17 Film Photography in Eastern Washington with the Chroma Six17 Graflok Back

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