Sound & Aesthetics - Connecting the Past with the Present with the NFA Historical Flutes Committee
Whether playing works of Bach or Mozart, flutists may wonder how these pieces sounded in such a distant past. Focusing on aspects in tone production, articulation, and aesthetics, the NFA Historical Flutes Committee would like to share how we can come closer to an early flute sound. Bring your flute and we’ll show how everyone can enjoy this beautiful music on their instruments! With Teddie Hwang, Michael Lynn, Joanna Marsden, and Jessica Schury. If you enjoy this content, consider becoming a member of the National Flute Association. Learn more at nfaonline.org/membership

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Fabulous Flutes from the 1600s-1800s with Amanda Markwick, Teddie Hwang, & Michael Lynn

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Sparking a Sense of Discovery in Your Playing with Laura Lentz

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You Know This Song (but the Orchestra Doesn’t) | Jacob Collier & VSO School of Music Orchestra | TED

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Higher Calling (1111 Hz) | 1 hour handpan music | Malte Marten & Konstantin Rössler

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A Guide to Creating the Rampal School’s Magical Phrasing & Tone Colors with Sheryl Cohen

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Harvard Professor Explains The Rules of Writing — Steven Pinker

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Lucie Horsch | Recorder Tutorial

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ONE RECORDER IS ALL IT TAKES! | America's Got Talent

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Billionaire's WARNING: I'm SELLING. The Crash Is Already Here!

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The Truth About Depression - Dr Joanna Moncrieff

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Benedicto Lacerda and the Golden Age of Choro Flute Playing with Julie Koidin

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Unlocking Extended Techniques: A Performance Guide to Contemporary Pieces with a Focus on Bass Flute

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Ukraine Just Destroyed The One Russian Plant That Keeps Putin's Missiles Flying | Ben Hodges

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DIY membrane reed FOONKI

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Professional reacts to FLUTE in Talent Shows

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The Tongue, Hyoid Bone, & Jaw in Flute Playing for Effortless Articulation & More with Ruth Kasckow

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Flute Tips for playing beautifully in the 3rd Octave (High Register)

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Starting on the Tongue Drum | Hints and tips for beginners

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Alzheimer’s, memory, and the science of forgetting, in 58 minutes | Lisa Genova: Full Interview

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