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Developing Good Taste #154

This is a description of a discussion Paul had with R. H. Ives Gammell about who the greatest painters are followed by a suggestion about the need for such queries when gaining understanding as a young painter. In Response to Anon

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R. H. Ives Gammell: The 'Twilight of Painting' and a Legacy.
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R. H. Ives Gammell: The 'Twilight of Painting' and a Legacy.

Visual and Spatial Projection in Painting -506
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Visual and Spatial Projection in Painting -506

Developing taste is easy, actually
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Developing taste is easy, actually

Start Your Painting Like You Mean It. -498
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Start Your Painting Like You Mean It. -498

The Soft Eyes of the Impressionist -505
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The Soft Eyes of the Impressionist -505

How to Develop TASTE
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How to Develop TASTE

The Frank Zappa Interview That Still Feels Dangerous Today (1984)
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The Frank Zappa Interview That Still Feels Dangerous Today (1984)

The Secret to Good Taste
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The Secret to Good Taste

Age Factor in Becoming a Painter -492
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Age Factor in Becoming a Painter -492

Inside Parker Pens: The American Betrayal That Destroyed Britain’s Stationery Empire
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Inside Parker Pens: The American Betrayal That Destroyed Britain’s Stationery Empire

The Impression is the Object -490
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The Impression is the Object -490

The Colorist -493
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The Colorist -493

Things To Notice On Your Next Flight
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Things To Notice On Your Next Flight

The "IT" Factor in Painting -497
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The "IT" Factor in Painting -497

Sorolla and the Boston School -504
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Sorolla and the Boston School -504

Understanding Good Taste
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Understanding Good Taste

Breaking a Bundle of Sticks (A Color Exercise) -489
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Breaking a Bundle of Sticks (A Color Exercise) -489

Biggest Difference Between Bad Art and Great Art by UCLA Professor Richard Walter
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Biggest Difference Between Bad Art and Great Art by UCLA Professor Richard Walter

Brushwork in Painting: Making Your Mark -501
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Brushwork in Painting: Making Your Mark -501

Make Your Art Unique by Avoiding Art Clichés
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Make Your Art Unique by Avoiding Art Clichés

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