Developing Good Taste #154
This is a description of a discussion Paul had with R. H. Ives Gammell about who the greatest painters are followed by a suggestion about the need for such queries when gaining understanding as a young painter. In Response to Anon

▶︎
R. H. Ives Gammell: The 'Twilight of Painting' and a Legacy.

▶︎
Visual and Spatial Projection in Painting -506

▶︎
Developing taste is easy, actually

▶︎
Start Your Painting Like You Mean It. -498

▶︎
The Soft Eyes of the Impressionist -505

▶︎
How to Develop TASTE

▶︎
The Frank Zappa Interview That Still Feels Dangerous Today (1984)

▶︎
The Secret to Good Taste

▶︎
Age Factor in Becoming a Painter -492

▶︎
Inside Parker Pens: The American Betrayal That Destroyed Britain’s Stationery Empire

▶︎
The Impression is the Object -490

▶︎
The Colorist -493

▶︎
Things To Notice On Your Next Flight

▶︎
The "IT" Factor in Painting -497

▶︎
Sorolla and the Boston School -504

▶︎
Understanding Good Taste

▶︎
Breaking a Bundle of Sticks (A Color Exercise) -489

▶︎
Biggest Difference Between Bad Art and Great Art by UCLA Professor Richard Walter

▶︎
Brushwork in Painting: Making Your Mark -501

▶︎
