The Impression is the Object -490

Using examples from Boston painters and others Paul shows how different the motivation is for an impressionist from a painter focusing on painting objects. He explains some of the differences in appearance, of finish, in pictures by painters for whom, instead of the object(s), the thing as a whole, the visual impression itself, actually becomes the object and in doing so sets in motion a whole new product. https://studio.ingbretson.com/