Gospel Meets Jazz, Funk and Electro In D-Train's "You're The One For Me" | CHOONS S1E4
#DTrain #1980sMusic #MusicPodcast All aboard the D-Train! Joining us on this trip are vocalist James "D-Train" Williams and producer/songwriter Hubert Eaves III, who will look back on their groundbreaking 1981 debut single "You're The One For Me." When Williams and Eaves III met, it was a match made in club heaven: a singer rooted in Gospel, gifted with the ability to convey his spirit through his vocal performance, and a prolific musician that fused funk with jazz and electronic music. Together, they created an influential sound that has been covered or sampled by the greatest musicians of all time, and it all began with a song that took just 45 minutes to write. ------------Contents of the video--------------- 0:00 - Intro 0:36 - Teasers 1:14 - 1981: The Year of MTV, Synthpop...and D-Train 3:10 - The Funeral Singer 4:19 - Feeling The Spirit 7:00 - The Birth Of A Nickname 8:31 - Hubert Finds His Calling In A Strip Club 10:00 - Hubert Meets James In The Studio 11:18 - Creating "You're The One For Me" 13:05 - Banging On The Prophet 5 Keys 16:17 - Getting Rejected By The Record Labels 17:18 - The Touch Of A Mixer: François Kevorkian 18:41 - Frankie Crocker & Larry Levan's Role 20:47 - Appreciated In Europe...and the Charts! 22:58 - Thoughts On That Paul Hardcastle Remix 25:20 - The Purple One 26:43 - James and Hubert's New Projects 27:41 - Best. Song. Ever! 29:12 - A D-Train Reunion? 29:46 - Thank you & Credits More On D-Train: Facebook: / allaboardthedtrain Instagram: / jamesdtrainwilliams Spotify Artist Page: https://open.spotify.com/artist/4gQEX... More On Hubert Eaves III: Artist Website: http://www.huberteavesiii.com Show Tracklisting Music (D-Train) Can't Turn Around Now (Bishop R. T. Jones & Christian Tabernacle C.O.G.I.C.) You're The One For Me Original 1981 12" Vocal (D-Train) You're The One For Me 12" Instrumental - Mixed by François Kevorkian (D-Train) You're The One For Me 1985 "Labour Of Love" Paul Hardcastle Remix (D-Train) Host and Producer: Diego Martinez Executive Producer: NickFresh Audio Engineer: Adam Fogel Follow us on social media: @choonspod ------------------------------------------------------------------------------------------------- 17 U.S. Code § 107 - Limitations on exclusive rights: Fair use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include— (1)the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; (2)the nature of the copyrighted work; (3)the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4)the effect of the use upon the potential market for or value of the copyrighted work. The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors. (Pub. L. 94–553, title I, § 101, Oct. 19, 1976, 90 Stat. 2546; Pub. L. 101–650, title VI, § 607, Dec. 1, 1990, 104 Stat. 5132; Pub. L. 102–492, Oct. 24, 1992, 106 Stat. 3145.)

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