Whistling against concrete: dawless analogue synth ambient/industrial/experimental music

Three Behringer Craves against an industrial/muisque concrete beat sustained by a Boss D-200 in Tape Echo mode. In addition, there's a a lovely whistle lead, and noise - white noise, processed by a Dopefer A-170 dual slew limiter (first slew as a filter, second as envelope feeding into Befaco A*B+.C working as a VCA). Behringer 1027 (recreation of ARP 2500 sequencer) acting as clock and to produce some modulations. All dawless, improvised, single take. #behringercrave #dd200 #doepfer #barp #experimentalmusic #dronemusic #dawless #modularsynth #befaco ABOUT MY CHANNEL: I make my music using hardware synthesizers. Below is a list of the gear I have in my studio, with some notes (this is a non-commercial channel - I have no affiliation with any retailers or manufacturers). Synthesizers: Behringer Crave x 3 (analogue semi-modular synthesizers) Yamaha TX81Z (vintage digital FM synthesizer) Casio VL-1 (digital toy synthesizer - my first synth!) Yamaha PSR-36 (FM synth with sliders - in storage right now) Drum machines: Behringer RD-6 (analogue drum machine - Roland 606 clone) Alesis SR-16 (digital drum machine - a classic - in storage right now) Eurorack: Arturia RackBrute 3U case Befaco A*B+C v2 (axbc2) utility module Behringer 1027 Clocked Sequential Control Module Dopefer A-170 Dual Slew Limiter Mixing, effects, and audio routing: Behringer 1202FX mixer (with digital effects) EHX Platform (compressor - used mostly for drums) EHX V256 (vocoder) Behringer Ultrapatch Pro PX3000 Zoom R4 (digital recorder) MIDI: Roland A-500Pro (very flexible MIDI master keyboard w/velocity & channel aftertouch) Yamaha QX5 (an extremely powerful sequencer and MIDI router from the 1980s) Kenton Pro Solo Mk3 (extremely reliable MIDI-to-CV converter) 64-pixels Banana Split and Orange Squeeze (MIDI thru and merge boxes) Anatek Pocket Channel (vintage re-channelizer) Other: A Jaspers synth stand All music composed, performed, recorded, mixed, and mastered by Telantas Changxo. (c) Jorge Quintanilla / Telantas Changxo.