Man with a Movie Camera: Propaganda, Narrative, and Meaning

Written and spoken by Thomas Mitchell Cut and edited by Olga Mitchell Footage from 'Man with a Movie Camera' (1929), by Dziga Vertov, Mikhail Kaufman, and Yelizaveta Svilova Bibliography: Beller, Jonathan L, ‘Dziga Vertov and the Film of Money’, Boundary 2 (1999) vol. 26, no. 3, pp. 151–99 Bittencourt, Ela, ‘Dziga Vertov’s Revolutionary Cinema: An Interview with Adelheid Heftberger’, Cinéaste (2013) vol. 38, no. 4, pp. 20–23 Delgado, Sergio, ‘Dziga Vertov’s ‘Man with a Movie Camera’ and the Phenomenology of Perception’, Film Criticism (2009) vol. 34, no. 1, pp. 1–16 Fairfax, Daniel (ed.), 100 Years of Soviet Cinema, Senses of Cinema Inc (2019) Feldman, Seth, ‘Vertov after Manovich’, Revue Canadienne d’Études Cinématographiques / Canadian Journal of Film Studies (2007) vol. 16, no. 1, pp. 39–50 Filippova, Anya, ‘Artistic exercise: sport and art in the Soviet Union’, The Calvert Journal (2017) Hicks, Jeremy, Dziga Vertov: Defining Documentary Film, I.B. Tauris & Co Ltd (2007) Holl, Ute, ‘The Truth Won by Means of Film’, Cinema, Trance and Cybernetics, Amsterdam University Press (2017) pp. 249–78 Kaufman, Mikhail, ‘An Interview with Mikhail Kaufman’, October (1979) vol. 11, pp. 55–76 Lawton, Anna, ‘Rhythmic Montage in the Films of Dziga Vertov: A Poetic Use of the Language of Cinema’, Pacific Coast Philology (1978) vol. 13, pp. 44–50 Mackay, John, Dziga Vertov: Life and Work: 1896-1921, Boston: Academic Studies Press (2018) Michelson, Annette, ‘From Magician to Epistemologist: Vertov’s The Man with a Movie Camera’, October (2017) vol. 162, pp. 112–32 Nesbet, Anne, ‘Understanding Man with a Movie Camera’, Film Quarterly (2005) vol. 59, no. 1, pp. 3-3 Petric, Vlada, ‘Dziga Vertov as Theorist’, Cinema Journal (1978) vol. 18, no. 1, pp. 29–44 Power, Nina, ‘Vertov’s World’, Film Quarterly (2019) vol. 63, no. 4, pp. 65–69 Ruby, Jay, ‘The Image Mirrored: Reflexivity and the Documentary Film’, Journal of the University Film Association (1977) vol. 29, no. 4, 1977, pp. 3–11 Steierhoffer, Eszter (ed.), Imagine Moscow: Architecture, Propaganda, Revolution, Design Museum Publishing (2019) Turvey, Malcolm, ‘Can the Camera See? Mimesis in ‘Man with a Movie Camera’, October (1999) vol. 89, pp. 25–50 Turvey, Malcolm, ‘Vertov: Between the Organism and the Machine’, October (2007) vol. 121, pp. 5–18 Viegas, Susana, ‘The Philosophical Machine: Vertov, Deleuze and Guattari on the Interchanging Movement from Art to Philosophy’, Revista Portuguesa de Filosofia (2019) vol. 75, no. 4, pp. 2375–92 Weinberg, Herman G., ‘The Man with the Movie Camera’, Film Comment (1966) vol. 4, no. 1, pp. 40–42