Recursos de rearmonización sobre folklore argentino - 1/4

*ERRATUM: At 10:54 I said "fifth of the first" and I should have said "fifth of the fourth" (V/IV). 🎸This is the first in a series of videos where I show some resources for reharmonizing Argentine and Latin American folk music. 📌 In this first chapter, I use diatonic chords and secondary dominants to reharmonize the zamba "Luna Tucumana". 📌 Watch the complete reharmonization series in this playlist:    • RECURSOS DE REARMONIZACIÓN   📌 You can also follow me on Instagram and find out about all my upcoming online courses on harmony, arranging, and improvisation. 📌 Check out the info about my course "Harmony Applied to Argentine Folklore" here:    • Curso online: ARMONÍA APLICADA AL FOLKLORE   ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- DEMIÁN ORNSTEIN: Guitarist, composer, and teacher born in Buenos Aires, Argentina. His constant musical curiosity led him to explore genres such as jazz, Argentine folklore, tango, flamenco, and rock. As a composer, he synthesizes these musical languages, resulting in his unique compositional style. He has performed at major festivals such as the "Guitars of the World" International Festival, the "Jazz a la Calle" Festival in Mercedes, Uruguay, Buenos Aires Jazz 2016, Mar del Plata Jazz, the Jazz Room Series (Buenos Aires), the 22nd Provincial Guitar Salon (Roma Theater in Avellaneda, Buenos Aires), the "Mono Nuñez" International Festival (Cali, Colombia), and the Llangollen Eisteddfod Festival (Wales, UK), among others. He has also toured throughout Argentina and Europe, showcasing his music. He studied at prestigious schools such as the "Taller de Músics de Barcelona" and the E.M.P.A. (Escuela de Música Popular de Avellaneda). His teachers include Lito Epumer, Lilián Saba, Roberto Calvo, Osvaldo Burucuá, and Juan Farías Gómez. He founded projects such as "Demián Ornstein Trio" with Martín Wainer and Edgardo López and the duo "Confluencia" with percussionist Nicolás Croci with whom he recorded the CDs "De Ida y Vuelta" (2012) and "En los Márgenes de todo" (2018) both with his own compositions. In 2021, he released his first solo guitar album, "Lihué." DISCOGRAPHY:    • Demián Ornstein Trío - De ida y vuelta      • Confluencia (Demián Ornstein - Nico Croci)...      • Demián Ornstein - Lihué - full album   His musical exploration and openness led him to collaborate with prominent international musicians such as the Indo-German pianist and composer Jarry Singla and the Japanese quena player Hikaru Iwakawa, with whom he gave important performances in Argentina and Germany. As a teacher, he works extensively at the Avellaneda School of Popular Music (EMPA), where he teaches Argentine folk music, composition, and improvisation. In 2019, he received an international scholarship. “Ibermúsicas” to conduct a workshop on “folklore and the language of jazz” in Quito, Ecuador. In 2021, she won the “Virtual Partner” grant from the Goethe Institute in Germany to undertake a remote composition project with musicians Jarry Singla (Germany) and Sanjeev Chimalgi (India). Also in 2021, she won the “Formadores” grant from the National Arts Fund to teach her course “The Language of Jazz in Folklore” in Tucumán, Argentina. She has led workshops on Harmony, Improvisation, Argentine Music, and Composition at various public and private institutions in both Argentina and Colombia.