JAZZEAR el BLUES con escala DISMINUIDA DOMINANTE (semitono-tono)

What do Robben Ford, Larry Carlton, and Scott Henderson have in common? Many things, of course, but among them is the use of the half-step diminished scale (used over dominants) to bring new sounds to the beloved blues. Of course, many jazz musicians also use this scale, and I personally associate it with tenors Lester Young and Coleman Hawkins. DOWNLOAD PDF AT: https://www.pedrobellora.com.ar/video... THIS VIDEO IS A CONTINUATION OF:    • ESCALA DISMINUIDA tono-semitono en BLUES ¿...   CONTENTS: 1:00 - The Dominant Arpeggio 1:50 - Releasing Tensions 4:00 - Reaching the Diminished Arpeggio 5:00 - Application in Drop Chords 5:30 - Reaching the Diminished Scale 7:00 - Recommended Fingering 8:25 - Intervals of this Scale 9:57 - Major Ambiguity 10:20 - Scale Positions 11:30 - EXAMPLE PHRASE (in PDF) 13:20 - Should I Use It Going to Minor Chords? VIDEO ABOUT "DROPS":    • Los drops, ¡una brújula en el océano de ac...      • Entender la armonía musical: patitos de go...   *** www.pedrobellora.com.ar IG:   / pedrobelloraguitarrista   FB:   / pedro.bellora