“내가 싫은 걸 좋아하는 너를 견딜 수 없어”｜나홍진 《호프》와 이동진

🏝️ Become an Islander and help cultivate the island together    / @hana.island   "Because this world is not yet Hopo Port." I did not agree with the sentence left by film critic Lee Dong-jin. Because this world became Hopo Port a long time ago. Director Na Hong-jin's Hope surpassed 2 million viewers just five days after its release. However, the distribution of ratings on portals is strange. It resembles the hump of a two-humped camel, with peaks rising only between 9 and 10 points and between 1 and 2 points. In between, the slots for "just okay" are completely empty. This video looks into the events sparked by a single film called *Hope*. From the harsh criticism pouring in from opposite directions both domestically and internationally, to comments bordering on mockery and curses directed at the director, and even the factional strife that erupted against critic Lee Dong-jin, who gave the film four out of five stars. Drawing on Byung-Chul Han’s diagnosis of the society of identity, Hyong-Chul Shin’s *The Ethics of Decline*, and the critic Tabitha Dickinson in the film *Birdman*, we ask about the ways we choose when confronted with the unfamiliar. We pose these questions together with the Islanders. 📌 Chapters 00:00 The Camel's Back: The Extremes of Korean Society 01:16 Taking Weapons Out of the Closet 04:18 Welcome to Hopo 10:48 The Era of Disappearing Criticism 17:54 The Bad New 21:22 Cho Hana's Island 🎞️ More stories at    • 영화로운 마음   🏝️ An Island That Reads the World, Cho Hana's Island 📩 [email protected] #ChoHanasIsland #NaHongJinHope #LeeDongJin #FilmCriticism #PartyLogic #HanByungChul