«Bodas de sangre», de Federico García Lorca | ANÁLISIS

"Blood Wedding" is one of the artistic pinnacles of Federico García Lorca's dramatic work. It was with this play that the poet achieved widespread and sustained acclaim on the stage. For Lorca, in particular, it was a decisive step in the renewal of the tragic genre in the 20th century, in which, as a key member of the Generation of '27, he integrated tradition and modernity. 🔴 SUBSCRIBE TO DEMIURGO 🔴    / demiurgoliteratura   SOCIAL MEDIA 🔵 Twitter 🔵   / demiurgo_lit   🟠 Instagram 🟠   / demiurgo_lit   --------------- Chapters: 00:00 Introduction 00:55 The Origin of "Blood Wedding" 02:25 A Lorca Tragedy 06:27 The Central Conflict of "Blood Wedding" 08:48 The Characters of "Blood Wedding" 12:32 The Reception of "Blood Wedding" 14:25 Credits ----------- RESOURCES (Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use") For purposes such as criticism, commentary, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright law that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. BIBLIOGRAPHY · Bejel, E. (1978): “'Blood Wedding' and Dramatic Structure,” Thesaurus, Volume XXXIII, No. 2, pp. 309-16. · García Lorca, F. (2015): Blood Wedding, Madrid: Cátedra. · Torrecilla, K. (2008): “Stereotypes That Refuse to Die: The Andalusianism of 'Blood Wedding',” Annals of Contemporary Spanish Literature, Vol. 33, No. 2, pp. 229-249. MUSIC · Asher Fulero — Impossible Sacrifice and Love’s Aftermath · Doug Maxwell — Oud Dance and Pink Flamenco · House of the Gypsies — Moritas Moras · The Mini Vandals — Anomalous Hedges #demiurge