Haydn, Pleyel, Mozart en conversación | Cuarteto Quiroga

Like many listeners of his time, Goethe conceived the string quartet as a rational conversation between four intelligent people. To a large extent, this idea is embodied in works like Haydn’s String Quartets, Op. 33, which revolutionised the string-quartet genre. Following suit, Mozart would take three years to compose six quartets that he dedicated to his friend Haydn. For his part, Ignaz Pleyel, Haydn’s pupil, managed to disseminate his quartets very successfully all over Europe. Franz Joseph Haydn (1732-1809) String Quartet in G major Op. 33 No. 5, Hob. III:41 00:00 Vivace assai 06:35 Largo e cantábile 10:57 Scherzo. Allegro 13:53 Finale. Allegretto Ignaz Pleyel (1757-1831) String Quartet in B-flat major Op. 1 No. 4, B. 304 18:50 Allegro 26:07 Arioso 32:40 Rondó Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 15 in D minor KV 421 36:56 Allegro moderato 45:00 Andante 51:41 Minueto 55:45 Allegretto ma non troppo Quiroga Quartet (Aitor Hevia, violin. Cibrán Sierra, violin. Josep Puchades, viola. Helena Poggio, cello) Concert "The Quartet as Conversation, 1780-1800" from the cycle "A History of the Quartet in Seven Concerts" https://www.march.es/events/101004/ 24 November 2017 Fundación Juan March, Madrid ______________ All Concerts since 1975: https://www.march.es/musica/publicaci... Subscribe to our Newsletter: https://www.march.es/usuarios/boletines Twitter:   / fundacionmarch   Facebook:   / fundacionmarch   Medium:   / fundacionjuanmarch