Imitar #vozes ou Criar vozes: qual das duas é melhor? - Voice Lab
Does imitation really work in singing, dubbing, or theater? If you're not sure of the answer to these questions, you need to stay with me until the end of today's video! ------ Professional Contact: email: [email protected] Instagram: / guths.rubens Facebook (Fan page): / guths.rubens Youtube: / voicelabrubensgüths #voicelab And you're in the Voice Lab! Today we're going to talk about the skills of imitating and creating voices; after all, which one is better? Actually, there are a few answers to this question. If we think about it from a physiological point of view, that is, the muscular movements; the mechanics and functioning of the structures; they are practically the same thing. From a biomechanical point of view, what we recognize as "someone's voice" or "something's voice" is nothing more than a set of adjustments we make to the structures, resulting in a sound that we recognize as "so-and-so's voice," "so-and-so's voice," and so on. So, imitation would be a way of learning to make new adjustments, and creation would be trying to combine adjustments you can already make to create new ones. In other words, from a physiological point of view, imitation and creation are ways of moving structures to create sounds, and only then will we recognize these sounds as voices. Another way to look at the difference between imitating and creating voices is from the point of view of interpretation. And here things start to get a little more interesting. From the point of view of interpretation, when you imitate someone's voice, you are not creating a new voice. You are trying to copy a voice that already exists. Now, when you think about creating voices, the goal is for you to experiment with making sounds with your voice more freely, without the pressure of having to make a voice exactly like the character you want to imitate. The advantage is that you will start to develop your vocal creativity to create new things and not just imitate what someone else has already done. And why is this important? First, because you certainly have several skills with your voice and you probably don't know it, because when you think about "imitating voices," if you can't make your voice exactly the same, or at least similar, to the voice of the character you want to imitate, you automatically conclude that you're not good at it… that you don't know how to do anything with your voice… that you have no skill at all… that your voice is awful… and so on. You must have experienced this at some point. In this sense, imitation becomes difficult because we have to exclude all other vocal possibilities and use only those that make your voice sound exactly like the voice you want to imitate. The second point is that if you ever have the opportunity to work with voices, it's very likely that you'll have to interpret characters very different from those you know how to imitate. In other words, what matters isn't whether you imitate well or badly; what matters is knowing how to use your voice to enhance the character's interpretation. In dubbing, for example, they will look much more at your diction, reading, and intonation than at the number of imitations you can do. Why is that? Because they want to know if you are capable of bringing the character to life during the dubbing. The idea here is to think about vocal possibilities. When you imitate, you restrict your vocal creation possibilities because you can only use techniques that are within the character's characteristics. Therefore, imitation here becomes a tool for you to develop your vocal skills; that is, it serves to teach you how to produce new sounds with your voice. So, if you ever intend to work with voice, imitation is indeed a good way to start experimenting with different sounds with your voice, but you shouldn't stop there. Remember that you also need to work on your ability to create voices, and if you want your work to become increasingly professional, it's important that you also improve your communication skills. In short: Imitation, Creation, and Communication. And if this video was helpful to you, remember to share it on your social networks, because that helps the channel grow. And if you haven't already registered, just click the button below and subscribe to the channel to receive new videos from Voice Lab… ------ Royalty Free Music By http://www.bensound.com/royalty-free-... https://www.youtube.com/audiolibrary/... Sound Effects by http://audiomicro.com/sound-effects https://www.youtube.com/audiolibrary/...

Como tirar o pigarro da voz: a forma correta de pigarrear | Voice Lab

My Daily Routine For A Deeper, Richer, Stronger Voice (Only 9 Mins/Day!)

How to Stop Singing with Your Vocal Vocals. Getting Rid of Vocal Tension

100 ways to unlock your FRY SCREAM (Find YOURS)

Como imitar a voz da Vanellope

Violence Expert: Real Self-Defense Is TERRIFYING

How to Start a Speech That Makes People Whisper ‘Damn, that’s good.’

How to Find Your True Voice in 3 Steps

Piff The Magic Dragon’s LEGENDARY Audition | America’s Got Talent

How to Sound Sexy: Mastering the Art of a Seductive Voice

canon in D but it keeps getting jazzier

Stop straining your voice: Make this change ✅

Is the AfD a threat to Germany? Mehdi Hasan & Maximilian Krah | Head to Head

How to Belt High Notes Without Strain (Pull Chest OR use Mixed Voice?)

Vogais na Fonética Articulatória: Como Classificar? | Série Fonética Articulatória | Voice Lab

Voice Feminization for ABSOLUTE BEGINNERS | How to Get Started Now

World's fastest talking man sings Michael Jackson's BAD in 20 seconds @VideoScrapbookOfOurTimes

God Says:"MY CHILD, I NEED TO SEE YOU URGENTLY!"/God Message Now/God Message

AKKORDEON?! 🤨🪗 Jury erwartet NICHTS & wird KOMPLETT UMGEHAUEN! 🤯🤩 I Staffel 6 I Das Supertalent

