Якуб Садовский. Феномен рока, эстетика перестройки и культура трансформации / Лекция №4

What do Viktor Tsoi, the Constitution, Perestroika, and today's Russia have in common? Jakub Sadovsky examines how the culture of the late USSR shaped a new political reality and why rock became the language of the era. 00:00 — Beginning 01:13 — Culture as a System of Signs 04:01 — The 1993 Constitution and 2020 Amendments 09:28 — Historical Myth Penetrates Legal Text 19:31 — The Autocrat Whom God Himself Commands 27:01 — "Train on Fire" — the Manifesto of Perestroika 31:02 — From Revolutionary Culture to Brezhnev's Stagnation 35:05 — The Culture of Perestroika 40:03 — Subcultures and Russian Rock 42:54 — Journalism — the Main Genre of Perestroika 45:11 — Russian Rock Gains Strength 52:34 — The Communist Party Loses Its Monopoly 1:00:56 — What Was Previously Illegible Has Become Possible 1:05:27 — When Perestroika Ended 1:07:34 — The Loss of a Homeland and the Question "Who Are We?" 1:10:05 — Russian Rock and the Search for a New Identity 1:14:24 — How the 1993 Constitution Described the New Country 1:21:26 — Question: Why Putin Needed the 2020 Amendments 1:27:08 — Question: The Semiotics of Perestroika ━━━ 🎓 ━━━ Jakub Sadowski is a professor at Jagiellonian University and director of the Institute of East Slavic Philology. ━━━ 🎓 ━━━ The course is a series of open lectures on politics, history, culture, and media. The third course was held at the Institute of Eastern Slavonic Studies, Jagiellonian University in Krakow, and focused on society and culture against the backdrop of the 1989–1999 wars. Course No. 1:    • Попытка демократии: Россия 1989–1999. Экон...   Course No. 2:    • Попытка демократии. Конституция 1993 года