Gustave Moreau

Gustave Moreau (French: [mɔʁo]; 6 April 1826 – 18 April 1898) was a major figure in French Symbolist painting whose main emphasis was the illustration of biblical and mythological figures. As a painter, Moreau appealed to the imaginations of some Symbolist writers and artists. He is recognized for his works that are influenced by the Italian Renaissance and exoticism. His art work was preserved in Paris at the Musée Gustave Moreau. He was born in Paris, France, at 6 Rue des Saints-Peres. He came from a middle-class family. His father, Louis Jean Marie Moreau, was an architect for the city of Paris and his mother, née Adele Pauline Desmoutier, was an accomplished musician. Gustave Moreau lived a sheltered life growing up. Having visited Italy at age 15 he began his love for art. At age 18 he entered École des Beaux-Arts to study under the guidance of François-Édouard Picot and left in 1850. He then began to study art under his new mentor Théodore Chassériau, whose work strongly influenced his own. Moreau participated in the Salon for the first time in 1852. Moreau had a 25-year personal, possibly romantic relationship, with Adelaide-Alexandrine Dureux (b.Guise, 8 November 1835), a woman whom he drew several times. His first painting was a Pietà which is now located in the cathedral at Angoulême. He showed A Scene from the Song of Songs and The Death of Darius in the Salon of 1853. In 1853, he contributed Athenians with the Minotaur and Moses Putting Off his Sandals within Sight of the Promised Land to the Great Exhibition. Oedipus and the Sphinx, one of his first Symbolist paintings, was exhibited at the Salon of 1864. Moreau quickly gained a reputation for eccentricity. One commentator said Moreau's work was "like a pastiche of Mantegna created by a German student who relaxes from his painting by reading Schopenhauer." The painting currently resides in the permanent collection at the New York Metropolitan Museum of Art. On 28 March 1890, Alexandrine Dureux died. Her death affected Moreau greatly, and his work after this point contained a more melancholic edge. She was buried at the same cemetery that Moreau himself would be laid to rest (see below). Moreau became a professor at Paris' École des Beaux-Arts in October 1891. Among his many students were fauvist painters Henri Matisse and Georges Rouault. Jules Flandrin, Theodor Pallady and Léon Printemps also studied with Moreau. Moreau died of stomach cancer and was buried at the Cimetière de Montmartre in Paris in his parent's tomb. He was made a Chevalier de la Legion d'honneur in 1875 and was promoted to an Officier de la Legion d'honneur in 1883. During his lifetime, Moreau produced more than 8,000 paintings, watercolors and drawings. His work influenced the next generation of Symbolists, particularly Odilon Redon and Jean Delville, a leading figure in Belgian Symbolism in the early part of the twentieth century. Many of Moreau'e works are on display in Paris' Musée national Gustave Moreau at 14 rue de la Rochefoucauld (9th arrondissement). The museum is in his former workshop, and began operation in 1903. André Breton famously used to "haunt" the museum and regarded Moreau as a precursor of Surrealism. The Japanese artist Yoshitaka Amano, known for works such as Final Fantasy, Angel's Egg, and Vampire Hunter D, was inspired by Moreau's style. Amano said in an interview that when he was first experimenting with styles to try to find his own, he would try to mimic the works of Moreau. [from Wikipedia] Music: William Basinski "Cascade"