Low-Fire ~ Pate de Verre
This work was created by the artist, to help showcase the uses of ready made and hand made tools. This is the first of multiple layers that are installed directly into the ceramic mold by pushing, shaping, forming, tamping, hammering into place, small glass shards held together with a binding agent, gum Arabic. This constructive method allows the maker options of thickness, edge forms or edge types, even additional textural areas can be applied and built onto a specific section of the work (flange, center piece, ect.) The direct fire installation and firing can be completed in three days.

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Pâte de Verre with Shin-ichi and Kimiake Higuchi | Master Class Series, Volume IV

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Kiln-Formed Glass with Rudy Gritsch | Master Class Series, Volume VI

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Geoffrey Bowton - Divesting Pate de Verre

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Slumping Basics

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Glass Casting - using the 'open mould' method with Di Tocker

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How It’s Made: Murrini Vase (Venetian Glassblowing) | Bryon Sutherland

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Casting Glass with Daniel Clayman | Master Class Series, Volume IX

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#MAI Behind the Art: Working with Frit Glass

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Jo Downs Handmade Glass

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How to make sculptural glass forms using the lost-wax casting technicque with artist Bruno Romanelli

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Smooshed Glass

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Creating The Most Complex Bowl We've Made So Far - Narrate Glassblowing Process Demonstration

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Cast Glass Scupltor Di Tocker shares the glass finishing techniques - Indicator series (part 3)

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Mike Tonder, Blue Skies Glassworks

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Pottery Myth busting: Stop wiping off your bisque before glazing!

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Fused Glass Experiment #4: Weaving Glass

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Wafer-Thin Firing with Colour de Verre Molds

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My Attempt at the #FusedGlass Light Leak Method in the Hi-Lo Mold from Creative Paradise Glass

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Handblown Glass Murrine Piece, Full Glassblowing Process

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