А що, якби Україна поставила ТАКІ пам’ятники полякам?

Can memory kill the future? 🇵🇱🇺🇦 While Ukraine is fighting a war for survival, a monument is being unveiled in the Polish town of Domostawa, shocking in its cruelty. Why, instead of mourning, do we see a broadcast of hatred? And how did the events of 1943 turn into a "second front" against Ukraine? In this video on CoggiCon, we analyze: 🔹 Sadistic aesthetics: Why does the new Polish monument look more like an instrument of torture than a sign of memory? 🔹 A century-long fake: How a photo of a mentally ill woman's children from 1923 became the main "evidence" of the Volyn tragedy. 🔹 Theft of pain: Why the Polish politics of memory ignores the names of the victims, focusing only on emotions and rage. 🔹 Geopolitics on the bones: Who benefits from reanimating the ghosts of the past right now and why it is not about history, but about revanchism. Become a sponsor of this channel to receive bonuses:    / @coggicon   00:00 — Memorialization as a symbol of Ukrainianophobia (monument in Domostav). 01:41 — History of the monument and demonization of the UPA 02:46 — Fake memory: who is Mariana Dolinska 05:54 — How fake memory “steals the address of pain” and replaces objects. 07:11 — Monument in Domostav (author Andrzej Pitynski) and its sadistic aesthetics. 09:18 — Symptomatic inadequacy of symbolization 10:28 — Monument to children in Kharkiv (complaint) vs monument in Domostav (hatred). 13:36 — Five emotional effects of Polish monuments 15:58 — The concept of the “collective body of the nation” and the attraction of the pain of all history to Volhynia. 18:49 — Reactualization of anger as a tool of political revenge and the “second front”. 22:17 — A hypothetical “game for two”: What could Ukrainian monuments to victims of Polish crimes look like (Bereza Kartuska, Veretskyi Pass). 24:46 — Why Ukraine is not afraid of its own shame, unlike Polish revanchism.