Perché ci facciamo del male? | La lezione di Vittorio Lingiardi | Lucy sulla cultura

If there's one thing human beings are very good at, it's suffering. Sometimes rightly so, but many times it almost seems like suffering is a trap from which we can't escape. Why are we so good at hurting ourselves? 00:00 Intro 02:38 The Origins of Masochism 10:18 The Reasons Why We Hurt Ourselves 18:48 Masochism in Art Subscribe to Lucy and discover this month's theme, "Hate": https://lucysullacultura.com/registra... Follow Lucy - Sulla cultura on Instagram:   / lucy.sullacultura   TikTok:   / lucy.sullacultura   Facebook:   / sullacultura.lucy   Listen to "Fare un fuoco," Nicola Lagioia's podcast: https://lucysullacultura.com/podcast/... Do you have an idea for Lucy? Email [email protected] Want to talk business? Write to [email protected] The video contains excerpts from: The Simpsons by Matt Groening (1989 - ongoing, 20th Century Fox Television) The Father by Florian Zeller (2020, F comme Film, Trademark Films, Cine@) Split by M. Night Shyamalan (2016, Universal Pictures, Blinding Edge Pictures, Blumhouse Productions) Silver Linings Playbook by David O. Russell (2012, The Weinstein Company) Closer by Mike Nichols (2004, Columbia Pictures, Inside Track) An Andalusian Dog by Luis Buñuel (1929, Luis Buñuel, Salvador Dalí) The Night Porter by Liliana Cavani (1974, Lotar Film) Thirteen by Catherine Hardwicke (2003, Working Title Films, Antidote Films) Black Swan by Darren Aronofsky (2010, Fox Searchlight Pictures, Cross Creek Pictures, Protozoa Pictures, Phoenix Pictures, Dune Entertainment) Baby Reindeer by Richard Gadd (2024, Clerkenwell Films) Legally Blonde by Robert Luketic (2001, Metro-Goldwyn-Mayer, Type A Films, Marc Platt Productions) Girl, Interrupted by James Mangold (1999, Columbia Pictures, Red Wagon Entertainment) Dead Poets Society by Peter Weir (1989, Touchstone Pictures, Silver Screen Partners) You can find the complete list on Lucy on culture's website https://lucysullacultura.com/