SAAHIR LUDHIANVI | NON-STOP 20 GHAZALS FROM TALKHIYAAN | तल्ख़ियाँ से लगातार २० ग़ज़लें | साहिर

0:00 Introduction 0:17 Kabhi Kabhi 2:27 Taj Mahal 5:13 Chakle 10:37 Main Pal Do Pal 12:32 Fankaar 14:05 Yeh Kiska Lahoo Hai 18:26 Ek Tasweer-e-Rang 20:53 Ek Waaqiya 22:55 Teri Aawaaz 26:06 Intezaar 27:32 Apna Dil Pesh Karoon 28:52 Bhoole Se Mohabbat 30:24 Khoobsoorat Moad 31:36 Mohabat Tark ki Maine 33:13 Mujhe Socne Do 35:51 Naghma-o-sher 37:11Parbaton Ke Pedon Pe 38:34 Sochta Hoon 40:43 Tadbeer se 41:47 Yeh Zulf Agar Khulke 43:28 Chakle Kitaab e Dil presents the dignified works of legendary poets in Urdu and Hindi. Recitation of their great work, their life, their stories and much more. Abdul Hayee (8 March 1921 – 25 October 1980), popularly known by his pen name (takhallus) Sahir Ludhianvi, was an Indian poet and film song lyricist who wrote primarily in Urdu in addition to Hindi. His work influenced Indian cinema, in particular Bollywood films. Sahir won a Filmfare Award for Best Lyricist for Taj Mahal (1963). He won a second Filmfare Award for Best Lyricist for his work in Kabhie Kabhie (1976). He was awarded the Padma Shri in 1971.MOn 8 March 2013, the ninety-second anniversary of Sahir's birth, a commemorative stamp was issued in his honor. Sahir's work as a lyricist in the film industry gave him financial stability beyond his earnings as a poet. He made his debut with four songs performed in the film Azadi Ki Raah Par (1949). One of the songs was Badal Rahi Hai Zindagi. Both the film and its songs went unnoticed. However, after Naujawan (1951 film), with music by S.D. Burman, Sahir gained recognition. Sahir's major success was Baazi (1951). Again, the composer was Burman. Sahir was then considered part of Guru Dutt's team. The last film Sahir made with Burman was Pyaasa (1957). In Pyaasa, Guru Dutt played a poet named Vijay. After Pyaasa (1957), Sahir and Burman went separate ways due to artistic and contractual differences. Sahir did work with other composers including Ravi, Roshan, Khayyam and Datta Naik. Datta Naik also credited as N. Datta, a Goan, admired Sahir's poetry and their collaboration produced the score for Milaap (1955), Chandrakanta (1956), Saadhna (1958), Dhool Ka Phool (1959). Sahir also worked with music director Laxmikant–Pyarelal in the films like "Man Ki Aankhe", "Izzat", Dastaan and Yash Chopra's "Daag" all have fabulous songs. From about 1950 until his death, Sahir collaborated with Baldev Raj Chopra (1914 - 2008), a film producer and director. Sahir's last work for Chopra was for Insaaf Ka Tarazu. Yash Chopra, both while directing for B.R.films, and later as an independent director and producer, also engaged Sahir as the lyricist for his films, till Sahir's death. In 1958, Sahir wrote the lyrics for Ramesh Saigal's film Phir Subah Hogi, which was based on Fyodor Dostoevsky's novel Crime and Punishment. The male lead was played by Raj Kapoor. It was presumed that Shankar–Jaikishan would be the composer but Sahir demanded a composer with a more intimate knowledge of the novel. Khayyam composed the film score. The song Woh Subah Kabhi Toh Aayegi with its minimal background music remains popular. Khayyam collaborated with Sahir in many films including Kabhie Kabhie and Trishul. Sahir was a controversial figure in that he was artistically temperamental. He insisted that the film score should be composed for his lyrics and not the other way around. He also insisted on being paid one rupee more than Lata Mangeshkar and this created a rift between them. Sahir promoted his girlfriend, Sudha Malhotra's singing career. He also insisted that All India Radio credit film song lyricists.