Tips and tricks for programming OB6 style patch with dreadbox NYMPHES and why I love this synth

Exploring what I love about my NYMPHES 6-voice analog polyphonic synth and showing what it's like to program a patch from scratch. 00:34 dreadbox nymphes features explained 02:50 patch loading (and what to avoid) 04:15 loading INIT patch (edit trick) 04:40 improperly saving a patch while "vibing to that" (how to recover lost patch) 05:55 walking through NYMPHES sliders & parameters 07:05 NYMPHES LFO delay "secret sauce" and why I LOVE THIS SYNTH 07:55 NYMPHES price vs SEQUENTIAL Rev2 and SEQUENTIAL OB6 08:43 Envelope click similar to Prophet or Juno and failing to remove using Attack 09:57 returning to INIT patch to create a sound from scratch 10:19 talking about shift function during patch creation and the importance of going slow 12:07 making NYMPHES stereo 13:01 how to use EG with Cutoff on 0 13:30 making NYMPHES sound like an OB6 14:22 using LFO 1 for pitch modulation and "warble" 15:28 adding PWM (pulse width modulation) to this patch 16:07 using LFO 2 for PWM and wave modulation to simulate a Roland Juno-106 or HS60 18:57 80's callin' & getting freaky with LFO 2 20:10 final patch tweaks for clarity dialing back LFO 2 volume and adding Resonance to cut bass frequencies 23:43 playing the completed OB6-style patch mono & then stereo examples 24:35 final thoughts & outro playing other patches I am using an Arturia KeyStep Pro as the MIDI controller and running the audio output of the dreadbox NYMPHES into my Electro-Harmonix Grand Canyon delay to create a huge stereo output from this little synth.