'DARK HORSE', O PATÉTICO FILME DE BOLSONARO E A ARTE DA DIREITA!

📚 RELEASE: The audiobook version of my book "Religion in Brazilian Popular Music" is now available from Toca Livros! A more accessible way to delve into this content that you all enjoy so much. Check it out here: https://www.tocalivros.com/audiolivro... Learn to compose! https://go.hotmart.com/Y101410787H Welcome to the Musicália Channel! Today, the starting point is the aesthetic precariousness of the production that recounts Jair Bolsonaro's trajectory. But we'll go beyond the surface: we'll discuss how ideological agendas translate (or not) into works of art, cinema, and Brazilian music. We analyze why big names associated with reactionary thought, such as Nelson Rodrigues, ended up producing works that deeply engage with social and human issues, often read as "leftist". In this analysis, you will see: ✅ The precariousness of art and the investment in the film "Dark Horse". ✅ The relationship between religion, Christianity, and current cultural production. ✅ Examples in Brazilian Popular Music (MPB) and dramaturgy: from Edson Gomes to Nelson Rodrigues. ✅ The role of art in defending humanity and social causes. [0:00 - Introduction: The "Dark Horse" phenomenon 01:30 - The precariousness of art and financial investment 03:15 - Launch: Audiobook "Religion in MPB" 05:00 - Is there right-wing art? 07:30 - Analysis of "Construção" (Chico Buarque) and universal issues 10:00 - The story: Abolitionists vs. Slave Owners in Art 15:00 - The Nelson Rodrigues Case: The Sublime Reactionary 18:30 - Edson Gomes: When Music Surpasses the Author's Opinions 22:00 - Conclusion: What Should Art Defend? Did you enjoy this reflection? Then don't forget to: 👍 Leave your Like (or dislike, if you disagree, because engagement helps just the same!). 🔔 Subscribe to the Musicália Channel and activate the bell to follow our analyses on music and culture. 💬 Comment below: Can you think of a work of art that defends right-wing agendas without being a parody or pamphlet? Presented by: Juscelino Filho Photography and lighting: Welington Severiano Editing: João Yang (Visage Agência) Recorded at TocaCast studios. Support the channel: https://www.catarse.me/apoie_o_musica... Visit the channel's store: https://sites.google.com/view/lojinha...