Painting a Master Copy after John Singer Sargent
A study after Sargent's portrait of John Ridgely Carter. This portrait interested me because of the range of skin tones that create the forms of the head. I wasn't quite able to get the effect but it was fun trying to search for all the various hues in the original. Thanks for watching and please subscribe and share if you enjoyed the video. Materials I used: Linen with acrylic primer, walnut oil, liquin, Oil colors (titanium white, lead white, cadmium yelllow light and med, cadmium red light, alizarin crimson, burnt sienna, burnt umber, ivory black, chrome oxide green, cerulean blue, ultramarine blue), Nylon, bristle and sable brushes,

▶︎
John Singer Sargent Master Copy

▶︎
Battle Of The Brush: Walter Sickert Vs John Singer Sargent With Waldemar Januszczak

▶︎
Oil Painting Study of John Singer Sargent's Capri Girl

▶︎
The Portrait Institute John Singer Sargent's Lady Agnew 1

▶︎
CLASSICAL PAINTING TECHNIQUES - Grisaille and Glazing

▶︎
A Study of Titian's Portrait of Ranuccio Farnese

▶︎
John Singer Sargent Portrait Painting Copy Using The Zorn Palette

▶︎
The Forger's Masterclass - Ep.08 - John Singer Sargent

▶︎
Velázquez Portrait Master Copy

▶︎
John Singer Sargent's REAL Plein Air Painting Technique - Simplon Pass Breakdown

▶︎
A Master Study of SARGENT's Lady Agnew

▶︎
John Singer Sargent, Drawings

▶︎
OLD Master Portrait Study in Oils

▶︎
Helene Schjerfbeck | Quiet Modernism and the Power of Self-Portraits | A Collection of Paintings

▶︎
The First Step to Painting Like John Singer Sargent (That Most People Skip)

▶︎
Quick Tip 92 - Color Like Sargent

▶︎
Artist Of The Year Masterclass Season 1 Episode 1,2,3,4,5

▶︎
Unlocking The Secret To 'Sargent's Effect' || Mastering Unconventional Edges

▶︎
Repin Portrait Study

▶︎
