Robert Bresson: Brillantez y pobreza

DE LA POBREZA Carta de Mozart, acerca de algunos de sus propios conciertos (KV 413, 414, 415): "Se encuentran en el punto medio entre lo demasiado difícil y lo demasiado fácil. Son brillantes... pero carecen de pobreza". ------- Robert Bresson En la nota de hoy nos preguntamos por el significado o sentido del término "Pobreza". ¿A qué se refiere Bresson? ¿Es material? ¿Es moral? ¿Es espiritual? ¿Es una decisión estética? Notes on Bresson: A Conference around Robert Bresson - Manchester University (2023) **Tomado del blog de Colin Burnett, "Moving Patterns" https://colinatthemovies.wordpress.co... Session 1 - Early Bresson This panel includes four speakers: Ginette Vincendeau (“Bresson, the Occupation, and His Three Early Films”), Sally Shafto (“Coco Chanel and the Formative Years of Robert Bresson”), Antony Penrose (“Roland Penrose, Robert Bresson, and Affaires publiques“), and myself (“Bresson’s Other Models: A Study of the Body and its Presentation in the 1932 Publicity Art”).    • Video   Session 2 - Late Bresson    • NOTES ON BRESSON CONFERENCE, 30/31 March 2023   The second panel featured papers by Miguel Gaggiotti (“Adapting Gestures: Performance and Repetition in Mouchette“), Steve Gough (“In the Footsteps of Mouchette: Bresson’s Peculiar Sound World”), Ray Watkins (“The Shift to Colour”), and Elise DuRant (“Grace in the Films of Robert Bresson”). Session 3 - Robert Bresson, Philosophically    • NOTES ON BRESSON CONFERENCE, 30/31 March 2023   In this session, we hear from two expert thinkers on the conceptual and political implications of Bresson’s cinema: Robert Pippin (“The Cinematographic Form and Bresson’s Philosophical Commitments”) and Karel Pletinck (“Radical Politics and the Lure of Transcendence”). Session 4 - Bresson, Film Education, and the Industry    • NOTES ON BRESSON CONFERENCE, 30/31 March 2023   In this panel, three filmmakers–Roger Crittenden, Andrew Oldbury, and Jonathan Hourigan–give three distinct perspectives on Bresson’s importance in training for and the making of movies. Session 5 - Robert Bresson and Notes on Cinematography    • NOTES ON BRESSON CONFERENCE, 30/31 March 2023   This session consists of two studies of Bresson’s 1975 text, Notes sur le cinématographe, the first by Alfonso Hoyos Morales (“‘Un air de vérité…:’ Bresson and the Concept of Nature”) and the second by “Notes on Bresson” organizer and L’argent crew member Jonathan Hourigan (“Bresson’s Notes on Cinematography“). Session 6 - Robert Bresson, Influentially    • NOTES ON BRESSON CONFERENCE, 30/31 March 2023   Two speakers present next: author Richard T. Kelly (“Alan Clarke: The Robert Bresson of British Television?”) and scholar Tim Palmer (“Marginal/Minimal: Robert Bresson and Céline Sciamma”). Session 7 - GENESIS: Bresson’s Great Unmade Film    • NOTES ON BRESSON CONFERENCE, 30/31 March 2023   This final session brought together two papers, by scholar Sean Burt (“The Biblical Poetics of Robert Bresson”) and by artist Richard Bevan and bookseller, freelance art writer, and curator Tamsin Clark (“Footprints in the Sand”). Bibliografía y referencias Bresson, R. (2007). Notas sobre el cinematógrafo. Árdora Ediciones. Bresson, R., Mylène Bresson, Margarita Martínez (2014). Bresson por Bresson, entrevistas (1943-1983). El cuenco de plata. Mozart Bresson musica actores Morelos cinematographer montaje cinema cinematógrafo filmes