«La invención de Morel», de Adolfo Bioy Casares | ANÁLISIS
"The Invention of Morel" is one of the most significant works of fantasy fiction in Latin America. This novel by Argentine author Bioy Casares presents a story that combines adventure, science fiction, and various philosophical reflections that question the perception of reality and the very essence of existence. With a precise style and careful structure, it creates a story that surpasses the limits of reality to enter speculative and disturbing territory. Today, we will focus on the approach Bioy Casares left us with with this work, which, with the passage of time, increasingly distances itself from the fantastic. The technological prodigy of this island and the events that befall this fugitive surprise us no longer because of its premise, but because of how it has come to resemble our current society. 🔴 SUBSCRIBE TO DEMIURGO 🔴 / demiurgoliteratura ⭐ BECOME A MEMBER FOR ONLY €0.99 ⭐ / @demiurgoliteratura SOCIAL MEDIA 🔵 Twitter 🔵 / demiurgo_lit 🟠 Instagram 🟠 / demiurgo_literatura -------------- Chapters: 00:00 Introduction 00:49 Borges's Prologue 03:04 Plot of "The Invention of Morel" 06:02 Marginality in "The Invention of Morel" 08:15 Faustine 09:30 Morel: A technological demiurge 1:06 PM "The Invention of Morel" and virtual reality (metaverse) 3:32 PM The end of "The Invention of Morel" 4:34 PM Credits ----------- RESOURCES (Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commentary, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.) BIBLIOGRAPHY Alonso Collada, I. O. (2012): "The Gothic Mode in The Invention of Morel by Adolfo Bioy Casares," Estudios Humanísticos. Filología, 34, pp. 133-45. Bioy Casares, A. (2005): The Invention of Morel. The Great Serafin, Madrid: Cátedra. Fort, M. R. (1988): "The Invention of Morel: Collected Fragments," Lexis, Vol. XII, No. 2, pp. 179-90. López Pellisa, T. (2012): "Dystopian Virtualities in Analog Fiction: The Invention of Morel, by Adolfo Bioy Casares," Revista Iberoamericana, Vol. LXXVIII, No. 238239, pp. 73-9. López Pesilla, T. (2008): "Digitalism in The Invention of Morel," Essays on Science Fiction and Fantasy Literature, coord. Teresa López Pellisa, Fernando Ángel Moreno Serrano, pp. 893-911. · Lozano Rivera, C. (2017): "The Invention of Morel: Notes on Territory and Obsolescence," Acta Literaria, 54, pp. 143-158. · Meehan, T. C. (1977): "Metaphysical Concern and Creation in “The Invention of Morel” by Adolfo Bioy Casares," Proceedings of the Sixth Congress of the Association of Hispanists, held in Toronto, August 22-26, 1977, 1980, pp. 503-506. · Ripoll, G. D. (2010): "Social Marginality in The Invention of Morel," Academia.edu, pp. 1-19. MUSIC · Asher Fulero – Love’s Aftermath and The Palace Gardens · Chris Haugen – Taverna Mystica · Density & Time – Twin Lynches · Nat Keefe - Foggy · Nathan Moore – After We Win · The Westerlies – Anitmatter · Yung Logos - Escapism VIDEO · The invention of Morel. Directed by Emidio Greco, performances by Anna Karina and Giulio Brogi, Istituto Luce, 1974. #demiurge #argentine literature #hispanoamerican literature

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