Is Micro Four Thirds the BEST for Anamorphic Filmmaking?
Anamorphic Lenses have always seemed like easy mode for getting cinematic images but in some ways it adds just as many challenges as it does benefits. That be said it is totally worth it and Lumix Cameras definitely make it as easy as possible. Check out my journey using my Lumix Cameras to shoot this amazing music video project! The Music Video: • Susie McCollum - You're In My Head (Offici... Chat with Caleb: Calebs Channel: @CalebHoover Links that help me but cost you nothing! Audiio Affiliate Link and Discount https://audiio.com/partner?oid=1&affi... SAVE70 Filmconvert discount link https://www.filmconvert.com/purchase/... or use code RTFILM https://www.dehancer.com/ Use Code: RTFILM for 10% off Ulanzi https://www.ulanzi.com?aff=1296 Brevite Backapcks https://www.brevite.co/?rfsn=7959192.... Support me in making more and better videos / rhettthompsonfilm #Lumix #Panasonic #Filmmaker #filmmaking 0:00 Intro to Anamoprhic 1:53 The Camera 3:44 The Lenses & Stretch Factor Explained 6:28 The Lighting / Cinematography Breakdown 10:40 Post Production 11:19 Anamoprhic Challenges
what Micro Four Thirds was meant to be
Is the Lumix GH7 the Right Camera for You? | Your Story Studios Podcast EP21
Camera Roll 008
The Secret Lens That Filmed DUNE III (& Might Change Film Forever)
Open Gate Part 2 - LUMIX GH6 and LAOWA Nanomorph Lenses!
Why Hollywood Movies Look So Good
Testing $50k of Cinema Lenses to See What's Worth It
Do we really need 65mm? Large format myth - busted
G9ii vs OM1ii Which Micro Four Thirds Flagship is BEST (for you!)
Autofocus Anamorphic Is Finally a Thing — Here’s the Best One
SIRUI Autofocus Anamorphic for MFT
When a TINY Anamorphic is made for micro 4/3 🙌🏼
Lumix GH7 vs S5iiX Which is Better for Video?
Which Affordable Modern Cine Lenses to Choose & Why | 15 spherical, anamorphic & Cine zooms lenses
BRUTALLY Ranking Micro Four Thirds Lenses
Is the LUMIX GH7 Ready for Hollywood?
The Only Mirrorless Camera to Shoot REAL Anamorphic | Is It Pro Enough?
Why I Don't Care about Full Frame
The Filmmaking Gear I Used Once and Never Again.
