Barry Harris “major chromatic” and his move on “like someone in love”

One of my favorite moves Barry does and it’s underlying concept: how to turn a chromatic scale into a major scale, or the “major chromatic” concept. Also how to apply it, both melodically and harmonically using specific examples in “Cherokee” and “like someone in love” Please share like and subscribe, and hit the notification bell if you don’t wanna miss my new videos - I'll be posting a new one every week or so! Thanks for watching! If you found this content useful, and would like to support more of it, please consider chipping in on my Patreon page where you will have access to transcriptions and more:   / isaacraz   Here are links to some related videos you may enjoy: Barry’s diminished genealogy    • Barry Harris “Diminished Genealogy”   The “Ruby my dear“ move    • Barry Harris: The “Ruby My Dear” move   5-4-3-2 melodic patterns    • Barry Harris 5-4-3-2 Melodic Patterns   Modulation with diminished    • Your Questions Answered: How to modulate u...   “Short and long“ voicings    • Barry Harris short and long voicings: easy...   “ Up a fifth, down a fifth“:    • “Up a fifth Down a fifth” How to connect t...   My 10 chord routine:    • My 10 chord Barry Harris Routine   Barry Harris sixth-chord rules:    • Barry Harris 6th chord rules – how to get ...   Pivoting    • “Pivoting”: Octave displacement according ...