«Nevermore»: как устроен «Ворон» Эдгара По? Новый порядок слов

Can a poem become a worldwide bestseller? One of the most famous examples of such literary success is Edgar Allan Poe's "The Raven," a poem first published in 1845 that quickly became a cultural phenomenon. In the new issue, we explore the rhythm of "The Raven," its Russian translations, and how the famous "Nevermore" resonated in 20th-century Russian poetry. Why did Balmont's translation become canonical? Why did Jabotinsky and Zenkevich leave "Nevermore" untranslated? How is the rhythm of "The Raven" structured? And why can its intonations be heard in the works of Voznesensky and Vysotsky? From Edgar Allan Poe and Elizabeth Barrett Browning to Roman Jakobson, Andrei Voznesensky, and Vladimir Vysotsky. Support the release of new episodes: https://www.donationalerts.com/r/novy... Subscribe to regular donations: https://boosty.to/novyjporadokslov 00:00 – What is this episode about? 00:06 – The Publication History of "The Raven" 00:22 – The Plot and the Phenomenon of Popularity 01:08 – Edgar Allan Poe's "Philosophy of Creativity" 01:34 – The Rhythm and Refrain of "Nevermore" 02:38 – Russian Translations of "The Raven" 03:08 – Zenkevich and Edgar Allan Poe's Irony 04:13 – The Rhythm of Stanza and Barrett Browning 05:20 – Maria Trubetskoy's Russian Translation 06:10 – Roman Jakobson on "The Raven" 06:33 – Voznesensky and "Why the Hell?" 07:12 – Vysotsky and Edgar Allan Poe's Rhythm #NewWordOrder #edgarpoe #raven #poetry #literature #vysotsky #voznesensky #books #whattoread #russianpoetry #translation