200320 라디오 - 다른 곡들보다도 유달리 더 김이나보다 박효신의 지분이 훨씬 많은 "별 시" (Phụ đề tiếng việt)

2020.03.20 Radio Mention 2019.07.13 PARK HYO SHIN LIVE 2019 LOVERS: where is your love? Background photo source:    • 190713_박효신_별 시(別 時)_Park Hyo Shin LIVE 201...   This song is also a very precious one. Just like a few of Hyoshin's singles, there are times when he just throws out songs without any intention of avoiding them. Our Namu (fans) will know all too well. That feeling of, "Why is he releasing a song like this?" But even [Name] sometimes does that. Actually, from the perspective of the music industry, I think it is something to be very grateful for when big-name singers do this. At some point, digital music releases started to revolve around the distribution companies' structures and revenue models. The release time—that is, the time when streaming is maximized— And the day of the week they think will generate the most profit—all those dates are fixed. But relatively speaking, when singers who can insist, "Honestly, even this release time is part of the work to me," make a choice like this, it’s kind of... how should I put it? It opens up a range of such options for other musicians as well. Because there is subtly a bit of a power struggle involved. Especially when working with major distributors. Like Hyoshin's "Starry Night" and "Lover," they released them at times completely unrelated to when people are most active. Many senior musicians have made similar moves in the past. Now, it is about digital music releases, but distribution... what should I call it? That censorship! It is a movement to rebel against that. Of course, that is closer to conviction. Is this also a conviction? It was an action, but Composer J.T.C. also took a very historically significant role in music in that way, making many juniors feel comfortable, and ST.J. also took such steps, and although I don't know or remember everything right now, there are occasionally musicians who say, "I don't like it" to the system like this. There are times when these people aren't welcomed by distributors or sometimes by broadcasting stations, but I wish there were more people within those organizations who would occasionally welcome these musicians. I am right because my PD is right next to me right now. For some reason, I have a feeling that my PD wouldn't just hate musicians who take these kinds of steps. And surprisingly, there are many people in the radio field who genuinely love music, so I haven't seen anyone act so... in a power-oriented way? That seems to be why I like radio so much. Although I am listed in the credits for "Star Poem," Hyoshin has a much larger share in this song than in the others. These lyrics I remember that in just a few lines, there were parts where he was a bit uncertain, or parts where I wanted him to fill in a little. From my perspective, it was already good back then, but because of this friend's characteristic tendency to pursue perfection, I remember him adding just a teaspoonful of his own touch. The part where I looked at the lyrics and said, "Hyoshin, you wrote this part so well," was when he was 'laughing at my terrible words.' Ah... I really do tell a lot of terrible jokes. I told him, "You're so honest. This feels just like you," and I remember him bursting out laughing and finding it amusing. Many fans really love this song, don't they? It’s a really good song, but hearing it again from our perspective as a moth to a flame makes it even better. - I didn't used to feel this way, but I feel more emotional right now, right here, than when we sang "Star Poem" earlier.