Everything I know about Mixing (explained as quickly as I can)

become a member on youtube or patreon for exclusive tutorials & more:   / tildesounds      / @tildesounds   Full Course on Mixing & Mastering Electronic Music, available on udemy: https://www.udemy.com/course/draft/68... and gumroad: https://tildesounds.gumroad.com/l/yuavwl Mixing Concepts: The Book https://tildesounds.gumroad.com/l/Mix... This Book is FREE for Bonus Lessons and higher Channel Members. Check the Members Only posts for more info. Discord:   / discord   my courses: https://tildesounds.carrd.co/ If you get the courses via these exact links, this makes quite a substantial difference in revenue share for me, so I greatly appreciate if you do so. Gear & Software I use (affiliate links): Thomann: https://thmn.to/thocf/ydioumw1d3 https://www.meldaproduction.com/#tild... when you buy products on these sites after clicking these links i get a little commission at no extra cost to you. so that's pretty neat. Chapters (should be in the same order as the pdf): 00:00 intro 00:25 Turning Processing on/off 01:30 EQ without distracting visuals 03:11 Custom Gates with MCompressor 06:25 Automating instead of compressing 10:20 Trial and Error 12:49 Just swap the drums 15:38 Bespoke Kick Drums 18:40 Arrangement 21:35 Spectral Sidechain 28:11 Pre-Processing Sidechain Sources 33:27 To Clip or To Limit 39:38 Soft vs. Hard Clipping 45:09 Compression vs Limiting 50:28 EQ can't add what isn't already there 54:15 Remove everything you don't need 1:00:08 References to calibrate, not imitate 1:05:48 Different sections need different processing 1:08:19 Phase Alignment 1:13:28 Sidechain after Limiting 1:16:47 Pre-Delays for Depth Hierarchies 1:23:40 Panning with Delay 1:28:52 Sidechain for Headroom 1:32:22 Mono Compatibility 1:39:02 Pitch Shift instead of EQ 1:42:40 Digital Gain Staging 1:48:26 Vocoders as Exciters 1:51:09 Keytrack instead of EQ 1:53:28 When to Solo 1:56:49 Why you often need to De-Ess after compression 2:00:18 Volume Meters do not show perceived loudness 2:02:52 Using Analyzers where Speakers fail you 2:09:49 Resonances and when they're a problem 2:13:30 Bus Processing vs Individual Tracks 2:19:44 Sends vs Individual Tracks 2:25:16 Mix Bus Processing 2:28:22 Objective vs Subjective Aspects of Sound 2:34:47 Bounce to Commit 2:36:52 Odd & Even Harmonics 2:44:57 Sub Replacement 2:48:10 Tonal Balance Sends 2:55:41 Priority Sends for Unmasking 2:58:46 Transient Sends 3:04:30 Sounds Mask Upwards 3:08:59 Stereo Width = Distance 3:10:17 Oscilloscopes vs VU-Meters 3:14:05 When to worry about linear phase 3:28:53 Multiband Dynamics as Gain-Specific EQ 3:35:54 The Coke Ears Method 3:40:40 Layering for Frequency Balance 3:45:59 Drum Triggers & Replacers 3:49:58 Broadband Sidechaining Subs to eachother 3:53:44 Automating Reverb Sends 3:58:37 Ducking Reverb 4:04:20 Two parts of Reverb 4:14:40 Spectral Pre-Processing for Reverbs 4:21:21 Arpeggios as Mixing Tools 4:24:20 ADDING Resonances 4:28:03 Sustain/Transient EQ 4:31:18 Tonal/Noise EQ 4:36:08 Transient Shaping with Compressors 4:45:58 Keytracked Crossover 4:53:02 Transient Management 4:58:28 Layers or Hocket 5:06:43 Class B Saturation 5:12:18 Sub-Mixes 5:17:41 Frequency Shifting 5:22:51 Modulation instead of Compression 5:27:27 The Book im gonna put the word bitwig in the description so yt search knows this is a bitwig video in disguise