Raag Chayanat | Tutorial | Tintal | Notation | Moumita Mitra

Raag Chhayanat Tutorial, followed by Traditional Teentaal bandish Jhanana Jhanana with its notation. A blend of Nat and Chhaya Nat is shown more in Poorvang P R Vadi Samvadi S R R G M P N D S' S' N D P m P D P G M R S S' D P---RGMP G M R S more common in Avroh RGMPM GMR RGMDP GMR S RRGMP and M and R nyaas in Nat Ang P---R meend and GMRS IN Chhayaa R is less in Chhaya, more in Nat Bilawal ang more in Chhaya like GMRS- PNDNS'-DnP n long use in Chhaya Uttaran of Chhaya PNDNS' DnP Uttarang of Nat PD PS' DnP (n short) Other use of n GMnDP - RGMnDP Nyaas on S P R D and M long RGMD P PDP PD PS' DP SD PD mP RGMPGMRS multiple times Use m PmDP RGMP mDP mP RGMP RGMDP mP MGRSRS SDPD mP Some have used mNDNmDP and mNDmDP and mPDNS' there is use of Kedar phrase occasionally S M G P mP - m P D N S' So apart from Nat and Chhaya, shades of Bilawal, Kedar are seen. Tintal Lyric Jhanan Jhanan Jhananana Nana Nana Nana Baaje Bichhuaa Baaje Piya se Milanko Chalee Jaat Apne Mandirso Naar Pooja Karanko Niksi Gharso Albeli Naar Chamke Jiyaa Inaayat Baar Baar #chayanat #chayanattutorial #chayanatmoumitamitra #chayanattutorialmoumitamitra #ragaseriestutorial #ragaseriestutorialmoumitamitra #jhananamoumitamitra