Artist Notes | Anthony Roth Costanzo
Artist Notes is a new series of digital shorts chronicling an artist's relationship with a particular work. In this second episode, countertenor Anthony Roth Costanzo discuss his approach to Handel's "Quella Fiamma" from Arminio. Watch and listen to the Digital Encore of Anthony Roth Costanzo at the Chamber Music Society of Lincoln Center's concert "Handel and Vivaldi": https://mycart.chambermusicsociety.or... Support the Chamber Music Society of Lincoln Center: https://mycart.chambermusicsociety.or...

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“Perfection is deeply boring.” - Anthony Roth Costanzo

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THIS Is Why You Play Worse When Somebody Is Listening

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Tom Hanks' HILARIOUS Harvard Speech Leaves Audience in Splits: “I Make a Good Living...” | REPLUG

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21 Questions with Anthony Roth Costanzo

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Wilhelm Friedemann Bach: Viola Duet F 61 in G Major

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The Most Overrated Violin Concerto Is...

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John Cleese’s Brillian Take on Religion & 'Life of Brian' | The Dick Cavett Show

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Boston Baroque — "Non sa temere questo mio petto" from Handel's Amadigi di Gaula

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Anthony Roth Costanzo: Excerpt from Dido and Aeneas

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Classical music's favourite chord progression

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Anthony Roth Costanzo Discusses Akhnaten

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My Golden Retriever Heals a Terrified Rescue Kitten in Just 3 Meetings!

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Anthony Roth Costanzo and Dr. Paul Kwak perform Handel’s “Dove sei, amato bene?” from Rodelinda

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5 Mistakes Self-Taught Composers Make

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Cristofori Piano: "Lascia Ch'io Panga" by George Frideric Handel | Met Music

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They Expected This Boring.. Until He Started Playing The Cello! (He's Only 14!)

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Anthony Roth Costanzo - Flavio, HWV 16: Rompo i lacci

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People Who Messed With The Royal Guard and Regretted It!

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300 Years of Classical Music in 18 Minutes | Joshua Bell | TED

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