RICK OWENS FOGACHINE SS22 WOMENS

SS22 FOGACHINE WOMEN’STHURSDAY 30 SEPTEMBER 2021, 12H00PALAIS DE TOKYO, 13 AVENUE DU PRÉSIDENT WILSON, 75116 PARIS AFTER FOUR COVID ERA SHOWS LIVESTREAMED FROM MY HOME ON VENEZIA’S LIDO BEACH, RETURNING BOMBASTICALLY AT FULL BLAST TO THE PALAIS DE TOKYO PARVIS SEEMED TO IGNORE THE HUMBLING EXPERIENCE WE ALL WENT THROUGH TOGETHER; AND ARE STILL EXPERIENCING. THOSE COVID SHOWS WERE ABOUT DEFIANT FEROCITY IN THE FACE OF ADVERSITY BUT SHOULD RETURNING TO THE PARIS RUNWAYS BE ABOUT HUMILITY AND A LESSON LEARNED? OR CARPE DIEM? THERE IS A BRISK LOGIC TO THE PURSUIT OF BEAUTY ABOVE ALL ELSE THAT HAS ALWAYS APPEALED TO ME AND THE ENDLESS HONING AND REFINING OF CREATIVE SIGNATURES IN THOSE THAT I HAVE ALWAYS ADMIRED. FOCUSING ON THAT SEEMED LIKE THE RIGHT MOVE. SCULPTED BODYSUITS IN BLACK MATTE LACQUERED STRETCH DENIM ARE PEELED DOWN TO FORM ABSTRACT SKIRTS AND WORN OVER PLATFORM THIGH HIGH WADERS NOW SLICED INTO SPINDLY SPARTAN BOOTS... WORN WITH EASY T-SHIRTS SPLICED WITH THE THINNEST NYLON THAT FLOATS IN THE AIR LIKE THE FOG THIS COLLECTION WAS NAMED AFTER. TAILORING HAS CRISP, SHARP SHOULDERS IN MICROJACKETS, OR COATS WITH THE SIDES CARVED OUT IN AN HOURGLASS SHAPE — CUT IN COTTON ORGANDY AND SILK MOUSSELINE TO EXPOSE THE COMPLEXITY OF THE STRUCTURAL INTERLININGS BENEATH. GEOMETRIC CUTOUTS BLUNTLY EXPOSE FLESH AT TIMES WHILE ROBES AND CLOAKS CUT IN FLOWING COQ FEATHER ENCRUSTED TULLE OR RIGID COTTON FAILLE SOLEMNLY CONCEAL. LEATHER AND NYLON BOMBERS OUTLINE THE FEMALE EQUIVALENT OF LE CORBUSIER’S MODULAR MAN AND ARE WORN OVER FLARED JEAN SKIRTS IN 16OZ BLACK, NATURAL, OR ORANGE SELVEDGE DENIM CUSTOM WOVEN FOR US BY YAMAASHI ORIMONO (EST. 1945) ON VINTAGE SAKAMOTO SHUTTLE LOOMS. THIS IS FROM AN ONGOING DRKSHDW CAPSULE MADE IN KURASHIKI, OKAYAMA PREFECTURE, JAPAN. GIRDERED BUBBLE JKTS WITH HARD, STRONG SHOULDERS AND RUCHED CHIFFON BODIES PROVIDE ARCHITECTURAL CONFECTION IN SOLID BRIGHTS OR SOFT BLEEDING DÉGRADÉS. MULTICOLORED MOHAIR SPIDERWEB KNITS COVER THE BODY IN DRIPPING LAYERS OF REMOVABLE ARMS AND HOODS. BRUTALIST CHOKERS ARE FROM AN ONGOING JEWELRY COLLECTION PRODUCED BY GOOSSENS, THE MAISON THAT ONCE PRODUCED JEWELRY FOR COCO CHANEL, CRISTÓBAL BALENCIAGA, AND MADAME GRÈS IN THE 1950S. PERSONAL NON-TOXIC FOG MACHINES COME IN 3 SIZES — SMALL TO INSERT INTO THE ZIPPED POCKETS OF PYTHON GLOVES, A CARRY ON SIZE, AND A COFFEE TABLE SIZE. WE CONTINUE INCLUDING JKTS AND BAGS IN PIRARUCU DRAGON SCALE LEATHER, A FOOD BYPRODUCT PRODUCED BY INDIGENOUS COMMUNITIES IN BRAZIL. DENIMS NOT COMING FROM OUR JAPAN CAPSULE ARE GOTS CERTIFIED ORGANIC COTTON FROM A LOCAL ITALIAN MILL FOUNDED IN 1597. MODELS WALK THROUGH FALLING JASMINE LEAVES GATHERED FROM THE PLANTS ON MY LIDO TERRACE IN MEMORY OF OUR COVID SHOWS THERE. THE SOUNDTRACK IS A CUSTOM REMIX BY MOCHIPET — A DISTORTED SOUNDSCAPE OF HARDNESS THAT REFLECTS THE CURT DETERMINED HEDONISM OF THE MOMENT, AND MY WARINESS OF IT. CASTING AM CASTING (CLM) HAIR DUFFY (STREETERS) MAKEUP MAC COSMETICS AND DANIEL SALLSTROM (MA WORLD GROUP) PRODUCTION LA MODE EN IMAGES MUSIC EXCLUSIVE EXTENDED MIX OF ‘GODZILLAFATHER’ BY MOCHIPET