Realism Gets Even More Real: Crash Course Theater #32

In the late 19th and early 20th centuries, theater was evolving rapidly in Europe. Impresarios like Georg II, Duke of the Duchy of Saxe Meinengen (in what is now Germany), were pushing theater troupes to new heights of realism. New methods of staging, acting, set building, and even rehearsing were making plays more realistic than ever. These practices spread to France with Andre Antoine's Theatre Realisme, and from there spread across Europe. Crash Course is on Patreon! You can support us directly by signing up at   / crashcourse   Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever: Mark Brouwer, Kenneth F Penttinen, Trevin Beattie, Satya Ridhima Parvathaneni, Erika & Alexa Saur, Glenn Elliott, Justin Zingsheim, Jessica Wode, Eric Prestemon, Kathrin Benoit, Tom Trval, Jason Saslow, Nathan Taylor, Brian Thomas Gossett, Khaled El Shalakany, Indika Siriwardena, SR Foxley, Sam Ferguson, Yasenia Cruz, Eric Koslow, Caleb Weeks, D.A. Noe, Shawn Arnold, Malcolm Callis, Advait Shinde, William McGraw, Andrei Krishkevich, Rachel Bright, Mayumi Maeda, Kathy & Tim Philip, Jirat, Ian Dundore -- Want to find Crash Course elsewhere on the internet? Facebook -   / youtubecrashcourse   Twitter -   / thecrashcourse   Tumblr -   / thecrashcourse   Support Crash Course on Patreon:   / crashcourse   CC Kids:    / crashcoursekids