なぜ「ペプシ」は消えるのか？ロレックスGMTマスターⅡ生産終了に隠された3つの理由

This is the official KOMEHYO staff! Thank you for always watching. In this video, we'll delve into the truth behind the news that the Rolex GMT-Master II (commonly known as "Pepsi") will cease production in 2026, a topic that has been a big hit among watch enthusiasts. At the beginning of the video, we'll present a unique quiz about materials using the current GMT-Master II! When a black light is shone on each bezel, what surprising phenomenon occurs only on the Pepsi model...? Why is the ever-popular Pepsi model being discontinued now? We'll thoroughly explain from three perspectives: Rolex's technical challenges, environmental considerations, and the rumored groundwork for the revival of the classic "Coke (red x black)" model. Please enjoy until the end! ▼Luxury Watch Brand Information Magazine TOKEI TSUSHIN by KOMEHYO https://www.komehyo.co.jp/tokei-tsushin/ ▼Buyback Stores Here https://komehyo.jp/kaitori/ ▼Online Store Here https://bit.ly/4fd79sh KOMEHYO also offers a service where you can actually try out products at a store near you for free. Please take advantage of this opportunity! ■Free Ordering Service https://bit.ly/4fk8yh3 *A service where you can actually check the product and decide whether or not to purchase it, with free cancellation🎵 --------------------------------------- ■Mail-in Buyback■ https://komehyo.jp/kaitori/takuhai/ --------------------------------------- 0:00 Introduction 0:15 Project Overview 0:51 Editor-in-Chief Quiz - Which one is the odd one out? - 1:13 The Identity of the Outcast 2:15 Editor-in-Chief Quiz - GMT Master's Nickname - 2:47 The History of GMT Master Colors 2:59 History ①: The Circumstances of its Birth 3:37 History ②: Color Variations 4:37 History ③: GMT Masters from 6 Digits Onward 6:17 The Secret Behind the End of Pepsi Production 6:36 Reason ①: High Manufacturing Difficulty and Weaknesses 9:00 Answer to the Editor-in-Chief Quiz 10:16 Reason ②: Blue Coloring Agent 11:23 Reason ③: The Revival of the Red x Black Bezel 13:00 Ending Chief Editor: Makoto Sugawa Camera Operator: Sho Yamaguchi Filming & Editing: igrec, Inc.