Teaching Timbre: The Hammond Organ, Black Gospel, and the Politics of Presets | by Braxton Shelley

ACTOR Speaker Series Afrological Perspectives on Timbre and Orchestration presents: Teaching Timbre: The Hammond Organ, Black Gospel, and the Politics of Presets by Braxton Shelley Minister, musician, and musicologist Braxton D. Shelley is a tenured associate professor of music, of sacred music, and of divinity in the Department of Music, the Institute of Sacred Music, and Yale's Divinity School. A musicologist who specializes in African American popular music, his research and critical interests, while especially focused on African American gospel performance, extend into media studies, sound studies, phenomenology, homiletics, and theology. Shelley is the author of Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination as well as the forthcoming An Eternal Pitch: Bishop G.E. Patterson and the Afterlives of Ecstasy. His research has received considerable recognition including the Alfred Einstein Prize, Paul A. Pisk Prize, the Jaap Kunst Prize, and the Adam Krims Award. He received his Ph.D. in the History and Theory of Music at the University of Chicago.