ACCORDER SES TOMS - Ou comment jouer de la belle batterie (Feat.PEARL SESSION STUDIO SELECT #103

Hey everyone! Tuning your toms is often a real pain. Because we poor drummers rarely see eye to eye with the sound engineers. Where we want volume, sustain, and resonance, they want impact, dryness, and a flat sound. So how do we find a compromise that works? By tuning your drums well enough so that our drummer desires are so perfectly met that the other side, behind the mixing console, isn't thinking about fixing problems anymore, but about using the qualities of what we're hearing. Are you with me? I didn't want to tune an ENTIRE drum kit—too long, not very YouTube-friendly. But with just one tom, I hope you'll understand how to apply this method (one of many, of course) to your whole kit. Note – I prioritize impact over resonance, but this isn't a hard and fast rule; all combinations are possible, as long as it sounds good. Above all, remember one thing: every drum, whatever its type, has at least one head that will cause it to resonate, and most of the time, two. It's the balance of this trio that you need to create, and this balance works within a certain frequency range; it's bad below, bad above. But it's music, it's art, and anything goes!