『大怪獣のあとしまつ』【酷評考察/スベりギャグ解説】なぜ駄作になったのか？誰が悪いの？三木聡監督に罪はない？【ネタバレあり】【映画感想・批評】【土屋太鳳】【山田涼介】

Additional information: There seems to be a view that "it's Director Miki's responsibility because it's a project that he's been working on for many years," but there are tens of millions of people with ideas in this world, and I think the person who selected it and allocated the budget bears a lot of responsibility, so I'm still of the opinion that "90% of the responsibility lies with the production side!" I personally believe that if the Toei and Shochiku producers had rejected it and it had been picked up in a late-night slot on another network, this wouldn't have happened... ~Bad Criticism Series~ ⭐️Discussing the Worst Movies of 2021    • 【削除かも】2021年ワースト映画を語るライブ【残念な11本の映画たち】【佐藤健/岡...   ⭐️Discussing the Worst Movies of 2020    • 2020ワースト映画を語るライブ【削除かも】   ⭐️2019 Worst Movie Ranking    • 2019年最悪映画ランキング【ワースト3】   ⭐️The Dragon and the Freckled Princess    • 【酷評注意】『竜とそばかすの姫』で悪化した細田守監督作の問題点とは？インターネット描...   ⭐️True Fangs    • 【酷評注意】どんでん返し？予告詐欺？『騙し絵の牙』を長年ファンの目線で分析【ネタバレ...   ⭐️The Promised Neverland    • 【酷評注意】キャストは豪華なのにどうしてこうなった…？ダメな日本映画の共通点【サイレ...   ⭐️STAND BY ME Doraemon 2    • 【酷評注意】のび太の最悪行為と激ヤバ世界観…『STAND BY ME ドラえもん』が...   ⭐️Spider-Man: No Way Home    • 【スパイダーマンノーウェイホーム】モヤモヤ派だけのためのレビュー動画【※視聴は自己責...