Manchester Orchestra - The Gold (Official Video) from A Black Mile To The Surface

Join Manchester Orchestra’s mailing list for more info on music and tour dates: http://found.ee/ManchesterOrchestraNe... Stream or download "The Gold" from A Black Mile To The Surface. Store: http://found.ee/MO_ABMTTSstore-r Spotify: http://found.ee/MO_TheGoldSpotify-r Amazon: http://found.ee/MO_ABMTTSamazon-r Google: http://found.ee/MO_ABMTTSgoogle-r Video directed by Mike Dempsey and Johnny Chew "The Gold" Lyrics Couldn't really love you any more You've become my ceiling I don't think I love you anymore That gold mine changed you You don't have to hold me anymore Our cave's collapsing I don't wanna be me anymore My old man told me "You don't open your eyes for a while You just breathe that moment down" Forty miles out of East Illinois from my old man's heart attack I believed you were crazy You believed you loved me I don't wanna bark here anymore Black hills, the colly Wasn't really dangerous for us We just catch you coughing What the hell are we gonna do? A black mile to the surface I don't wanna be here anymore It all tastes like poison Can't open your eyes for a while You just breathe that moment down Forty hours out of Homestake And I'm trying to translate you again I believed you were crazy You believed you loved me You and me, we're a day drink So lose your faith in me Can't open your eyes for a while You just breathe that moment down You can't open your eyes for a while You just breathe I believed you were crazy You believed you loved me You and me, we're a day drink So lose your faith in me Lose your faith in me Oh, lose your faith in me A Black Mile to the Surface is a bold record of vision and purpose, inspired by and dwelling in a sensory and imaginative experience. It’s a reinvention of sorts, both musically and personally—a sort of cosmic worldview shift. But in the end, the record’s themes are universal. Inspired by their experience creating the score for the film Swiss Army Man (a Sundance hit - New York Times-lauded “marvelously melancholic music”), they seized the chance to rethink Manchester Orchestra’s typical methods of working. This process gave them new ideas of how to think about writing, how songs could flow, and how to layer melodies on top of one another to propel the tune into a new emotional arena. To manifest this vision, the band turned to producer Catherine Marks (Foals, PJ Harvey, The Killers, Interpol) and began working with her at Echo Mountain studio in Asheville. In addition to mixing with Marks at her Assault & Battery studio in London, Manchester Orchestra also worked with John Congleton (St. Vincent, Explosions In The Sky, Angel Olsen, Cloud Nothings) in Los Angeles — gathering new sounds, adding to and widening the songs’ dimensions — as well as their longtime producer Dan Hannon, who offered an invaluable perspective that only an old friend could give. Encouraged to go against first instinct, each collaborator added their own touch to the music, pushing it to places no Manchester Orchestra record had ever gone before. “It was a test—personally, emotionally, creatively—to see how far we could push ourselves without breaking. This record was intentionally un-compromised on every level. We made sure to explore all the options and that we were moving forward with the strongest approach for each song— strongest part, strongest melody, strongest lyric.” Track Listing 1) The Maze 2) The Gold 3) The Moth 4) Lead, SD 5) The Alien 6) The Sunshine 7) The Grocery 8) The Wolf 9) The Mistake 10) The Parts 11) The Silence