ARTECONTODO TIPO DE CERAMICAS #1(Emil Alzamora )

In art, nothing guarantees financial security, but rest assured that choosing what you like will make you feel complete. The real challenge is making money with your passion. Life is a beautiful but brief and fleeting gift, we are here to enjoy the universe and enjoy in its name! New technologies in the artistic field are giving art a truly interdisciplinary and truly alive sense. Art has the ability to communicate ideas, concepts or pose problems and offer a different and clear look. Art has been a constant throughout the history of humanity at all levels. Emil Alzamora is a sculptor born in Lima, Peru, in 1975, a British citizen. His family immigrated to Boca Grande, Florida, when he was 2 years old. Raised in a family of artists he would learn to work clay before speaking, he started painting when he was very little, my mother and my grandmother had a ceramics studio, true art workers! I grew up next to him playing with clay when he wasn't painting. My mother was born in Michigan, but she grew up in Lima until she was 15 years old and my father is English. My stepfather is American and he is an experienced sailor so I spent quite a bit of time on a sailboat, this has definitely contributed to my interest in the universal, be it cultural, geographic, religious, etc. I believe that this is how the future should be faced. He now lives and works in Beacon, NY. His figures distorted, enveloped and blurred; they lack facial features and sex, but remain universally representative. Alzamora's anonymous beings are both intimate and unspecific, objects of the present charged with emotions. Alzamora takes advantage of a wide range of materials and techniques to offer unexpected interpretations of the human figure. Alzamora's great interest in the physical properties of its materials: plaster, bronze, resins, and working with materials as opposed as ceramic or steel with remarkable success, combined with its practical approach, allow the process to reveal and inform the once the aesthetic and the conceptual. Alzamora takes advantage of this wide range of materials and techniques to offer unexpected interpretations of the sculpted human figure. He often distorts, lengthens, deconstructs, or encloses his forms to reveal an emotional or physical situation, or to tell a story. His creative process begins on his computer, he sits down and begins to draw in the “stream of consciousness” style. Until then, I don't really know what I'm doing and even when I'm completely immersed in a leaf, I don't know either. It is very difficult for the political, social and spiritual to commune in a work. I would say that the best results come without great conscious efforts, trust and faith are the most important components… having faith that the message will emerge from the chaos! One of the things I've been exploring is intentionally interrupting the process or sabotaging it to see what physics will do to alter or dictate the aesthetic or fine narrative. Emil Alzamora affirms: With these more recent works I have gone further. It has been a gradual process of "undoing". With sculpture there are technical processes associated with its manufacture that accumulate or reduce material. l. At the root of all this is the fascination to reveal and hide, to expose and protect. The anonymity of these works attracts me for their universality, their humanity and their distillation version of what we tend to think constitutes our individuality: they are human, before being individuals, before being men or women. Although I love a smooth surface, it is not the main reason I make a sculpture. There is an idea or a feeling that I want to explore. In this case, I was very interested in the concept of reduction in both the physical and cognitive sense (clearly they are overwhelmed by something). The smooth sculptures, for example, come from a series of drawings I did last summer that really pushed the idea of ​​erosion or reduction and distillation forward. The forms followed when I started making them. I knew they would have to finish smoothly to be effective in this context, so I went with him and really liked the results aesthetically and how loaded they were despite and due to their limited content. Thanks to the Artist: Emil Alzamora: https://www.emilalzamora.com/ The music is contributed by Youtube Studio: Bubinga - Quincas Moreira Robot Boogie - Quincas Moreira Pull Up Riddim - Konrad OldMoney Half Day - Bad Snacks MY BOOK: https://www.amazon.com/dp/B08D34ZKKV/ FOLLOW ME: artecontodo.wordpress.com/ portfol… / works-made / TWITTER: https://twitter.com/home?lang=es Instagram: https://www.instagram.com/?hl=es-la Facebook: https://www.facebook.com/ diego.velasquezsyro / e-mail: [email protected] ARTECONTODO CHANNEL:    / channel   UCBvniQt8NG_e0lmY0tJLNmQ