Why I Never Switched Studio Monitors (4 Years with Genelec)

In this video, I’m sharing my 4-year journey with Genelec — from the 8330A, to the 8341A, and now the 8361A. For me, monitoring was never about hype. It was about trust. GLM ended the guessing in my low end. The 8341A changed how I hear imaging. And the 8361A gave me full-range control without a sub. Whether I’m summing through my SSL Matrix or mastering hybrid projects, clarity leads to speed — and speed builds confidence. As I prepare for a new chapter in Vancouver, Canada, my room might change. But my reference won’t. ‪@genelec‬ 🕒 Chapters 0:00 Why I Never Switched 0:21 How It All Started (8330A) 1:02 When GLM Changed My Mixing 1:54 The 8341A Upgrade 3:12 Stepping Into 8361A 4:02 Why Consistency Matters 5:06 New Country, Same Reference CONTACT ME🔗 INSTAGRAM https://www.instagram.com/wittyinstud... (@wittyinstudio) Artist Page https://open.spotify.com/artist/0CefH... EMAIL: [email protected] #genelec #studiomonitor #mixingandmastering #musicproduction #homestudio #speakers ... 🎙️Studio Gear List: APOGEE Symphony I/O Mk II 16x16 SE Apogee DA-16 X API 5500 Avalon AD2044 Black Box Analog Design HG-2 Calrec Mixer (Vintage) Dangerous Music 2-BUS+ Drawmer 1960 Drawmer 1973 Flock Audo PATCH Focusrite Red 4Pre Genelec 8361A Golden Age Project Comp-2A Merging Anubis Premium Neve 1073SPX Rupert Neve 5057 Orbit Rupert Neve MBC SSL G Series Bus Compressor SSL Matrix SSL XLogic Superanalogue Preamps SSL XR621 Mic Preamps Tonelux OTB-16 (Modified by Paul Wolf) Tube-Tech CL 1B Tube-Tech CL 2A Tube-Tech SMC 2B Warm Audio WA76