Fernando Sor - Study op. 35 no. 22 B-Minor (Segovia No. 5)

Sometimes in music the absence of music is a strong vehicle of dramatic expression. In this Allegretto by Fernando Sor (Segovia's No. 5) there are all 4 voices of a full choir set. After the first beat the bass disappears. Sor must have had something in mind writing this study in this specific key B-minor. This study, by the way, is very important for Andres Segovia: it was among the pieces he played in his very first public concert as a very young man in 1910 and has been a companion of the great spanish master throughout his career. Listen to my rendition at the end of the video on a period french guitar! For free pdf of this and other videos on my channel subscribe to my newsletter: http://eepurl.com/iC22SU 00:00 Where is the bass? 00:37 form and first 4-part chord 01:49 Tone aesthetics: Daniel Schubart 02:46 "gentle complaint“ and sighing 04:09 absence as through former presence 05:24 harmonic stagnation (no bass) vs. harm. Progression (with bass) 06:37 Sor’s dramatisation 06:56 "guitar-magic“ 08:41 performance Allegretto op.35 no. 22 on a period guitar ============================= for free pdf, subscribe to my newsletter: http://eepurl.com/iC22SU [email protected]   / joachim.geissler.1