¿Por qué los artistas están volviendo a sus raíces?

Since "El Mal Querer," a pivotal album in terms of this way of revisiting the past in contemporary music, countless albums have attempted something similar, and increasingly so. It's no coincidence that in the same year, albums like "La Vida Era Más Corta" by Milo J, "Latinaje" by Cazzu, "Tropicoqueta" by Karol G, "Cosa Nuestra" by Rauw Alejandro, "Debí Tirar Más Fotos" by Bad Bunny, and many more were released. Despite sharing a similar approach to music, these albums are not the same, nor do they convey the same message. In some cases, there's a genuine need to explore the artist's history, investigating what shapes their identity. In other cases, unfortunately, it's a desperate cry to avoid being just the song of the weekend at the club and to become something more significant than a viral hit. In an era where transcendence is threatened, everyone wants to be popular. This doesn't mean being famous, which is what all artists are today, but rather leaving a mark on history and becoming the music of a family dinner table. Channel's social media:   / proyecto.progresivo     / ramaweileras     / ikigai.24   This video was written, produced, and directed by Ramiro Weileras. Edited by Nicolas Barletta. Special thanks to Gonzalo Weileras and Valentino Martinez.