Why I chose the Sony Venice - Getting into Big Dog Cameras
Choosing the right cinema camera is one of the biggest decisions you’ll make as a filmmaker — and honestly, there’s no “perfect” option. It all comes down to workflow, flexibility, and where you see your career going. In this video, I break down why I chose the Sony Venice over cameras like the ARRI Alexa Mini, RED V-Raptor, and Sony Burano; going into real-world factors like usability on set, I/O, recording formats, and why flexibility matters to me — especially if trying to grow into higher-end commercial work. #SonyVenice #Cinematography #Filmmaking #CameraComparison #DP

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Sony Burano 8K – My Honest Thoughts After 12 Months as an owner operator.

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A building block for a Films Shot List / pre-production tip

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Sony Venice Vs FX6, are they really THAT Different?

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The Secret Lens That Filmed DUNE III (& Might Change Film Forever)

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Why Own a $26,000 Camera? (Sony Venice)

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No one has beaten this camera yet

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Lighting Dinner Scenes - A Lighting Breakdown

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My $40,000 Cinema Rig

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The Beginning of the END for this MAJOR Camera Company?!

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Why Hollywood Movies Look So Good

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Used Sony Venice | the BEST Cinema Camera Option?

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Filming a Dickies Advertisement - A Lighting Breakdown

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Sony BURANO vs FX6: The Honest Business Case for the Upgrade (Owner-Op Review)

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NIKON....THANK YOU #ZR

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How to Rig the Rialto 2 with legendary 1st AC Dan Ming

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The best cinema cameras for under $5000

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no excuses creating - shooting a spec piece for Birkenstock

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Why Your Camera Will Never Look Like ARRI — And How to Get Close

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Sorry, But Everybody Is Wrong About The PYXIS 12K

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