Grade School: Pro Teal and Orange look techniques

This Grade School episode we dive deeper into our discussion about creating the Teal and Orange look, and I share what I use for achieving the look in most of my professional grading sessions. Watch the full video on creating the Teal and orange look here:    • The Teal and Orange Look: Pro Colorist Rev...   00:12 Introduction 3:03 New LUT Pack announcement 4:20 New podcast announcement 7:49 What is the difference between the teal and orange in a Film LUT and the one that we can achieve using native Resolve tools? 13:25 At which point of the node chain do you neutralize the shadows if you don’t want color in them? 14:59 Any idea on how to get the teal color to affect only the neutral parts of the image? 22:26 Any idea on how to use the LAB color space to create the teal and orange look? 23:38 What’s the relationship between RGB curves and the hue? 30:31 Why does a linear tone curve preserve the signal when the values appear to clip heavily in both shadows and highlights? 36:02 What’s the difference between subtracting red and pulling up blue and green in the curves? 42:59 Do you ever do your split toning with just lift and gain? 49:46 What would be your approach to create teal and orange if the original camera negative does not have those components built in the original photography without using a qualifier on the skin and subtracting red from the other elements? 53:01 Can you explain what is the math behind the Color Space Transform for ‘’Color Space’’ and ‘’Gamma’’? 57:10 Final thoughts and conclusions --- Get my free Kodak 2383 film print LUT for DWG and ACES here: http://procolor.ist/freelut Get all of my freebies with my free Color Grading & Look Design Starter Pack! http://procolor.ist/starter-kit Check out my ebook, The Colorist's 10 Commandments: https://procolor.ist/ebook