Telemann - Magnificat
Georg Philipp Telemann Georg Philipp Telemann (24 March [O.S. 14 March] 1681 – 25 June 1767) (German pronunciation: [ˈteːləman]) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. As part of his duties, he wrote a considerable amount of music for educating organists under his direction. This includes 48 chorale preludes and 20 small fugues (modal fugues) to accompany his chorale harmonizations for 500 hymns. His music incorporates French, Italian, and German national styles, and he was at times even influenced by Polish popular music. He remained at the forefront of all new musical tendencies, and his music stands as an important link between the late Baroque and early Classical styles. The Telemann Museum in Hamburg is dedicated to him. Magnificat 1. Coros: Magnificat anima mea Dominum 2:17 2. Ária: Quia respexit humilitatem ancillae suae 2:36 3. Coros: Quia fecit 1:14 4. Ária: Et misericordia eius 2:32 5. Dueto: Fecit potentiam 2:52 6. Ária: Esurientes implevit 2:29 7. Ária: Suscepit Israel 1:15 8. Coros: Sicut locutus est 1:25 9. Dueto: Gloria Patri, et Filio 1:14 10. Coros: Sicut erat in principio 2:53 For more: http://www.melhoresmusicasclassicas.b... #MusicHistory #ClassicalMusic #Telemann

The Best of Telemann - the Baroque's Hidden Gem

The Best of Telemann

Johann Sebastian Bach: Magnificat in E-flat major | Ton Koopman, Amsterdam Baroque Orchestra & Choir

Telemann - Matthaus Passion

Missa Papae Marcelli. Giovanni Pierluigi da Palestrina. Tallis Scholars, Peter Phillips, conducting

Telemann - Cantata 'Zerschmettert die Götzen' TWV 2:7

Dixit Dominus (lyrics) | G. F. Handel
![G.F. Telemann: "Wassermusik" Ouverture in C major TWV 55:C3 [Zefiro-A.Bernardini]](https://i.ytimg.com/vi/ki1asCYcH08/hqdefault.jpg?sqp=-oaymwE9CNACELwBSFryq4qpAy8IARUAAAAAGAElAADIQj0AgKJDeAHwAQH4AdQGgALgA4oCDAgAEAEYWSBlKDcwDw==&rs=AOn4CLBCW40Hqv1feCdKeoSeKNgeGAhozA)
G.F. Telemann: "Wassermusik" Ouverture in C major TWV 55:C3 [Zefiro-A.Bernardini]

Bach - Magnificat BWV 243 - Van Veldhoven | Netherlands Bach Society

Georg Philipp Telemann - Das Befreite Israel, TWV 6:5

Telemann: Oboe Concertos | Overlooked Brilliance

Telemann - Cantata 'Drei sind, die da zeugen im Himmel' TWV 1:377

Bach, Telemann and Weiss: Baroque Lute Music | Xavier Díaz-Latorre · MarchVivo

Johann Kuhnau: Magnificat in C major (Ton Koopmann, Amsterdam Baroque Orchestra)

Tomaso Albinoni Oboe & Violin Concerto

Telemann: Trio Sonatas

The Best of HANDEL | UNLOCK The Hidden Treasures of a Genius from Baroque Period 👑👑

A. Vivaldi - Magnificat - Jordi Savall

Georg Philipp Telemann - Die Hirten an der Krippe zu Bethlehem, TWV 1:797

