Mahler: Symphony No. 7 - An Analysis

Vince Sheehan explores this symphony composed in the early 20th Century. Musical illustrations are played on the violin and piano. If you appreciate this analysis, please consider supporting my work by donating to: paypal.me/royalvincident #classicalmusic #mahler #musicanalysis Mahler Symphony No. 7 (analysis - numbers refer to bars/measures): 1. Introduction; Exposition: 1st Subject (50), Transition (80), 2nd Subject (118), Codetta (134); Development (163); Recapitulation: 1st Subject (altered: 373), Transition (426), 2nd Subject (altered: 468); Coda (487) 2. A (a1: 72), (b1: 116), (a2: 158); B (83); A1 (121); C (161 - Development); A2 (223); B1 (262); A3 (295); Coda (318) 3. A (a), (b waltz: 54), (a1: 72), (b1: 116), (a2: 158); B (a: 179), (b: 210); A1 (a: 261), (b: 361); Coda (combination of A and B) 4. A; B (Development: 99); C (New material: 195); A1 (259); Coda (363) 5. A, B (53), Transition (79), C (87), A1 (120), D (159), Transition (189), C1 (197), E (249), A2 (268), Transition (291), B1 (307) Transition (360), E1 (368), C2 (411), F (Development 446) C3 (517), A3 (539), Coda (581)