Vineeth Sreenivasan Working with Star Kids | Varshangalkku Shesham | Anupama Chopra

In an exclusive interview with Anupama Chopra, Vineeth Sreenivasan discusses his film "Varshangalkku Shesham," featuring Pranav Mohanlal and Nivin Pauly. He shares his inspirations and reflects on his career choice. Sreenivasan elaborates on his on-set experience, where the friendly crew indulged in cricket matches all-day, sometimes overshadowing shoots. He also delves into the nepotism debate, offering insights on its nuances and controversies. #VineethSreenivasan #varshangalkkushesham 00:00 - In conversation with Vineeth Sreenivasan 00:44 - How does Vineeth, as an Actor/Producer/Writer/Singer prioritise his work? 02:30 - Talent being a family tradition for the Sreenivasan’s 05:38 - Talking about his new film “Varshangalkku Shesham” 09:39 - Directing family members, and the rules they set for themselves 10:30 - Vineeth on his brother Dhyan Sreenivasan 12:07 - Stories surrounding the on-set ruckus, and the never ending cricket matches 14:25 - Handling the legacy Pranav Mohanlal comes with 16:48 - Clashing with Fahadh Faasil’s Aavesham 19:26 - Vineeth’s acting processes 23:13 - Falling in love with characters before writing them 25:52 - Music being a major character in Vineeth’s films 27:58 - The motive of the music 28:25 - Getting Vinyl Records for “Varshangalkku Shesham” 32:53 - Shooting “Madhu Pakaroo,” and the ball they all had on set 35:39 - Reminiscing the time things changed for Malayalam Cinema 38:53 - Not nurturing cut-throat competition 40:43 - Nepotism being everywhere Have you subscribed to Film Companion yet? Join us here - http://bit.ly/FCsubscribe Follow Us On:   / filmcompanion     / filmcompanion     / filmcompanion   About The Channel: The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.