[현장기록⏮️그때] '00년 일본 대중문화 개방💿J-Pop이 온다! 우리 음악이 살아남기 위한 방법은 무엇일까? | 대중음악 한일전 | KBS 2000.07.05 방송

※ This video is [Wednesday Special - Japan is Coming, Korea-Japan Pop Music Battle], which aired on July 5, 2000. ■ Japan is Coming, Korea-Japan Pop Music Battle At a music café in Sinchon, Seoul, an event hosted by Japanese music enthusiasts took place in a place called the sanctuary of youth. Most of the excited participants were teenagers and those in their twenties. For them, Japanese music is no longer an unfamiliar culture. They openly seek it out and enjoy it publicly. What is it about Japanese pop music that makes our youth so enthusiastic? Now, Japanese artists' performances are permitted, and the formal opening of the record market is only a matter of time. The opening of pop culture means the opening of industry and market. Pop music opening! Japan is now preparing for a heated Korea-Japan battle. In this 21st-century cultural industry war without gunfire but full of heat, what will be our strategy to survive? The popularity of Japanese pop music even in a closed state The Japanese pop music market's maximum value on profit generation The star-making system and marketing strategy of Japan, The foundation of Japanese music, underground artists A comparison of the distribution processes in both countries The economic effects of opening Japanese pop culture The potential and strategy for Korean pop music in the Japanese market Japanese pop music, Japanese music, underground artists, Japanese pop culture, Kim Dae-jung administration, opening of Japanese pop culture, Hikaru Utada, Namie Amuro, SPEED, B'z, Tetsuya Komuro, TRICERATOPS, X JAPAN, Tokyo Shibuya, Sony Music, SM, S.E.S. #koreadocumentary #kpop #jpop ✔ KBS Documentary | Official KBS YouTube Channel [KBS Documentary] 🔔 Subscribe 👍 Like ➡️    / @kbsdocumentary   📝 Inquiries: [email protected] Copyright ⓒ KBS. All rights reserved. Unauthorized reproduction, redistribution, and use (including AI training) are prohibited. ∙ Unauthorized copying, redistribution, and use (including AI training) are prohibited. ∙ Depending on the time of the broadcast, the current situation and content may differ. ∙ The operator may delete malicious comments to protect the cast.